All posts by Luke

Movie and TV lover with opinions about everything.

Water Lilies (2007) Review – Very Strong Debut

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I have stumbled upon this film by a complete accident, I must admit. And before watching any kind of foreign movie I’ve never heard of, what I do is to go through the directors/screenwriters filmography to see, whether I am familiar with any of their other work. With Water Lillies (the original French title is Naissance des pieuvres) I have discovered it’s a debut of Céline Sciamma, the woman responsible for Portrait of a Lady on Fire (2019), the movie I’ve heard so many great things about and what I’m planning on watching soon.

Anyway, I gave this movie a shot and I really liked it. Water Lilies is something I like to call “simplistically difficult movie”. What that means is, the story of this movie is straightforward, easy to follow. What becomes harder to wrap your head around are the characters, as you need to think about why they are doing the things they do, where are they coming from, what’s their motivation…?

Movies like Water Lilies don’t usually give you straight answers, so you either get it, or don’t. And I like that. This movie’s story is focusing on 3 very different girls – Marie, who’s growing up slowly realising she might prefer girls, but is (as most teenagers) really shy and awkward, Anne, who’s your typical “next-door neighbour” kind of girl, who in a normal crowd wouldn’t standout as much as she does next to a team of synchronise swimmers, and Floriane, who because of how she looks like, gets hit on all the time, therefore having a “certain” reputation in her swimming team and beyond that.

And this film follows them throughout hardships, where you eventually find out, no matter how you look, you will always have some issues. Also, what was quite well displayed here, is life doesn’t always workout the way you plan it, as there will always be some curve balls thrown your way.

Beware, SPOILERS are coming!

The “chubby” girl (for the record, I wouldn’t describe her like that, but that’s what the movie was going for) is struggling with her body image and for the entirety of the movie, is trying to date this one guy, who’s more interested in Floriane, the “beauty” of this story. But both of them are still virgins, which is a fact that might surprise you, the same way you might be surprised that it’s eventually Anne, who sleeps with the boy first. What she doesn’t know is he’s tried it with Floriane first before coming to her place, who flinched in the last second (based on what she said to Marie).

I really like when a movie can surprise me, where the surprise makes sense and this one unfortunately did. As this is the kind of typical teenager behaviour, where you’d go for a girl, and if she says no, you’d go to your “safe” choice, who was Anne. I also liked how gently they’ve displayed the relationship between Marie and Floriane, where at first, she doesn’t want to have Marie near by, just so she’d get curious enough about her to allow Marie to be part of the group, allowing her to watch them while practising.

As I’ve put into the title, this is a very strong debut by Céline Sciamma, where it didn’t matter to me I didn’t get all the symbolism she’d put into this film, I still overall liked it, as there was something about her style, her pacing, that even though the movie is on the slower side, it never feels boring or stale. And that’s not an easy thing to achieve. After watching Water Lilies, I’m really excited to watch Portrait of a Lady on Fire and I’m hoping, it will live up to everything I’ve heard about it. And I have a feeling I will be pleased with it, but only the time will tell…

Rating: 4 out of 5.

That’s all for this one! Did you see it? What did you think of it? Let me know!

Until next time,

Luke

Little Monsters (2019) Review – Zombie Comedy… with Heart!?

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A month ago or so, I wrote a review for a movie called Anna and the Apocalypse, where one of my main complaints about that movie was “the movie is trying to have a heart so much, but it ultimately fails”. The reason I am mentioning this, is Little Monsters is exactly that thing Anna and the Apocalypse was trying to be. It’s charming, funny and with Lupita Nyong’o in the main role, you can’t miss.

Little Monsters is a great mix of a comedy, gore, bit of horror (but don’t expect anything hardcore, so if you want to see a proper horror movie, this ain’t it) and at the end, it was a really pleasant surprise for me to watch.

It was really smart idea to cast Lupita in the main role – because she’s so versatile, you know she can deliver and she sure did. She’s got moments of cuteness, moments of being a bad-ass, but she never loses the touch of realness. For example, even when she’s being a bad-ass, she’s still “human” bad-ass, meaning she struggles, she’s nervous to fight horde of zombies, as fighting a horde of zombies is probably not in her job description, I am guessing. Where any lesser movie would made her to be “the kindergarten teacher, who can flawlessly kick some ass, because she trains martial arts, or is ex-Navy SEAL or something like that”, this one doesn’t and as a result of that, it feels more real. I might also be biased, as I love Lupita in everything, but I honestly believe she will go down in the history as one of the finest actresses of our generation.

Alexander England is also great as the fuck-up, who doesn’t know how to take control over his life, he’s clueless of what to do next. That sounds like a generic character, but he took the role and made it his own, where I wouldn’t be opposed seeing him in more movies. Also he had a good chemistry with Lupita and Diesel La Torraca who played his nephew Felix.

Usually people don’t talk about child actors, as given they are children, they are not the greatest of actors and tend to overact. But in this movie, I don’t think I could single any child out, they all seemed great to me and I’ve never felt like they are not behaving like children would, so that’s a definite plus.

If there was a such thing like a “zombie movie for the entire family to watch together”, Little Monsters would be it. Even though some zombie scenes get pretty graphic, the way Lupita’s character makes the zombie outbreak into a game, where she stays positive for “her” children, is really charming and I almost can see some children not being as horrified as they could be (just to make sure I say this, I don’t recommend children watching this movie, but you never know, today’s kids are tougher than we used to be, so they might…? But no, it’s better for them not to).

What I would recommend, is to go into this movie completely blind, don’t watch any trailers, don’t expect anything “big”, just sit down, make yourself comfortable and prepare yourself for a little movie with a big heart, bunch of kids, who are trying stay alive during a zombie outbreak, and their teacher, one of the most charismatic women on the planet, playing ukulele and singing “Shake It Off” by Taylor Swift, amongst many other songs. Little Monsters is a great movie that took me by surprise, and that’s not something I take for granted, so my rating might be slightly higher than expected, but I judge each film on their own merits. And I think this is not the last time I’ve seen this one.

Rating: 5 out of 5.

That’s all for this one? Did you see it? What did you think about? Let me know!

Until next time,

Luke

Three Days of the Condor (1975) Review – Paranoia, Paranoia Everywhere You Look

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“They don’t shoot movies like that anymore” is what you can hear plenty of times from some movie fans, regarding these old fashion thrillers and it kind of became almost hipstery (that’s 100% a word, I know words, I have the best words) thing to say, as there advantages to where are we now (film making wise) and there are disadvantages to it too. But, when comes to this movie, one thing will be on your mind for its entirety – they sure don’t shoot films like this anymore.

Three Days of the Condor is a film that gives you exposition/new information only when it’s absolutely necessary. You are dropped into this world, where for the first 30/40 minutes or so, you’re not quite sure what is happening and you need to take a journey with Robert Redford‘s character, as we learn everything through him. That’s something I truly appreciated – in modern movies, there would have been a text on a screen that would inform us “Headquarters of CIA!”, so even the ones that only half watch this movie are still in on what’s happening, or Redford’s character would’ve said to his colleagues at work “Just another day working for CIA, am I right?” or something to that extent, that awkward kind of exposition, that only serves one purpose – to make sure everybody understands everything.

Not here, as you kind of figure out he’s not doing an ordinary job, but you will learn what kind of job is that later. The same goes for everything in this movie – Sydney Pollack wants you to “work” for everything he tells/shows you, so he always gives you just enough, so you are not totally confused and plays the long game, where eventually, he relies on the audience to be involved, in the “pay attention and it will be worth your time” kind of way.

There is something really intriguing about this, as it makes you focus and think about what’s happening, why are things happening, involving you more with the story and also, to an extent, allows you to make your story/prediction when comes to what’s happening on the screen. I kind of understand why this isn’t as common anymore (movies are commodities, where you need to appeal to the largest audience possible) but that’s why I really appreciate directors, who can still do something similar (the “main” one, who comes to mind, is Christopher Nolan) as there is something about this way of shooting a movie, especially about spies, secret agencies and everything mysterious. It works well for this kind of genre.

What I really liked in this movie was the sense of paranoia in every single scene, where we are Redford – slightly clueless, not trained for this and most importantly, not sure who to trust. Each step he takes, he’s not sure whether that’s the correct thing to do, but because of his intellect (he reads every single day, after all) he always finds his way out of any situation.

I also want to applaud this film for the end, where it seems “the good guy(s) won”, just for a movie to deliver its final dose of paranoia, where the last shot of Redford symbolises everything – the insecurity, the feeling of helplessness, the feeling you get, once you realise you might be forced looking over your shoulder for the rest of your life.

Three Days of the Condor is definitely a movie worth seeing, as it defines what a paranoia/spy thriller should be about and to this day, filmmakers are “borrowing” from this movie a lot (one of the most known examples would be Captain America: The Winter Soldier (2014)), also a Redford movie… what a coincidence! (It’s not really ;-))

Rating: 4.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

The Man Who Killed Hitler and Then the Bigfoot (2018) Review – A Beautiful Fantasy

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This is another movie review, where I need to mention the low IMDb ranking, which at the moment is 5.6/10. I honestly don’t understand those ratings sometimes, as it seems some people have problems accepting movies for what they are, as maybe they’ve expected some big epic movie, and instead of it, were given something completely different.

The Man Who Killed Hitler and Then the Bigfoot is a movie with a really memorable title, for a start. 🙂 But importantly, it’s almost a meditation of a movie about one extraordinary person. We never know why he’s different, or how exactly he’s different, but he was the man who killed the original Hitler (because the other ones were body doubles, of course).

Plenty of times I am not ok with history being interpreted in “slightly different way” to say it lightly, as when you take a look around what’s happening now, where some people are actively trying to change history, or some people might have a different interpretation (that suits their particular needs) of what actually happened there and then, you get into some really weird branches of the internet where I’m not comfortable. But I didn’t mind this film toying with this idea, as it served purpose in this story AND because it wasn’t THE point of the story – the movie isn’t really about what the man has done, but what he couldn’t.

As he says it in the movie: “I just killed a guy. But I couldn’t kill the evil, that he’d already spread around the world.” (this is paraphrased). That’s the main point of this story – we see a guy (brilliant performance by Sam Elliott) who’s had a truly hard life – his only love died really young and even though he (might’ve) killed Hitler, at the end of day it didn’t change a thing, as you can kill a man, but you can’t kill the idea, the philosophy that man was spreading.

That is why he’s hesitating to take the job to take out the Bigfoot (yes, the title of the movie is literal) as he’s worried that it wouldn’t make a difference, that he’s old… But eventually he takes the job and in a weird way, that sets him free.

I really liked the feel of this film, where some parts felt like a pretty decent historical drama/thriller (him putting together the gun from the unusual components was a great scene, that wouldn’t get lost in a James Bond/Mission Impossible movie) and others felt like a swan song for one extraordinary man, who just wants to live an honest life and die an honest death, if there’s a such thing.

If you are going to give this movie a chance, and I strongly encourage you do, don’t expect anything over the top, even though the title might suggest that. Brace yourself for a heartfelt movie, that “flows” like a river – some sections will be a bit wilder, but overall it’s quiet and almost peaceful piece of cinema.

Rating: 4 out of 5.

That’s all for this one? Did you see it? What did you think about? Let me know!

Until next time,

Luke

Porcupine Lake (2017) Review – Not A Girl Anymore, Not a Woman Yet

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This movie totally came out of nowhere for me – and I presume and I am not alone, as on IMDb, the movie was rated by only 431 people, and so far has fairly low score of 5.4/10, which is totally underrated. I’m not saying it will change your life, but I am saying it’s definitely worth seeing and should be way higher.

Porcupine Lake is a very tender story about a young girl, whose parents are in a tough place. Her dad takes her and his wife to a small town, away from everybody, to try to salvage what’s left of their marriage, while trying to run a small diner. This is where our main protagonist Bea meets Kate, who’s about to challenge everything she grew up knowing. She’s the cool, care-free girl, the total opposite of anxious Bea, who finds herself fascinated with Kate to a point, where Bea starts to realise, she’s developing more than friendly feelings towards her.

This movie really nailed the atmosphere of a small town, that’s almost a village, in the middle of nowhere, and I should know, as I grew up in one (true, it wasn’t in Canada or USA, but still) so somehow, this movie took me back to those times where everything was simpler, just for life to start getting complicated. In a way, this movie reminded me a lot of Stand by Me (1986), not because of the story, but mainly the feel of the movie, where the kids are not really kids anymore, but they aren’t adults yet.

That kind of awkward stage, where everything seems to be just so damn confusing, was displayed here really well, plus I can’t imagine how it must feel being a girl and starting to realise you might be attracted to another girl.

This is something the movie deals with very well, I need to say. Because it’s not every day you get a movie about people this young starting to discover they might be gay, so I was slightly afraid of how this might be displayed. Rest assured, it was displayed/handled beautifully.

Porcupine Lake is a movie that perfectly captures those summer days, where you meet somebody new, somebody so unique, so special, you just wish for those days, that are spent exclusively with them, to never end. And is all more crushing once they do, and you need to say a goodbye. You tell yourself, it’s not goodbye forever, right? But deep down, you know, that it probably is.

I honestly wish for this movie to be seen by more people, as you don’t get these anymore – movies that can capture a certain atmosphere, certain time/year period so well, it brings you back, no matter whether you can relate to a girl, whose parents are having a hard time and who’s realising she’s gay. That’s so great about this movie – I honestly believe, to a some extent, it’s something we can all relate to. We all had a Porcupine Lake in our lives, whether we realise it or not. And maybe this movie will remind you of yours.

Rating: 4.5 out of 5.

That’s all for this one! Did you see it? If so, congrats! What did you think about it? Let me know!

Until next time,

Luke

Tag (2018) Review – Mild (H)it?

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How to write about a movie, that’s based on an idea of grown men playing the game of Tag and going to extreme lengths, where they seriously play it, no matter what’s happening around them?

The premise of the movie is really intriguing, and the movie as a whole was quite a pleasant surprise, where the only problem is I wasn’t laughing nearly as much as I should have. Most of the jokes didn’t really work for me, as it was the stereotypical American comedy, we are all (or at least me) so used to by now, where everything is lined up for you, so most things won’t surprise you. What actually surprised me though, was the fact I didn’t mind not laughing, as the movie itself was actually entertaining by itself and the cast had a great chemistry.

What I found fascinating about this movie cast is the fact that there is a clear standout, but it’s not one of the main (guy) characters you might expect, like Ed Helms, Jon Hamm or Hannibal Buress (where the last one is a proper stand up comedian!). They were all good, don’t get me wrong, but for me, the one who stole this movie is none other than Isla Fisher – her character of Ed Helm’s wife, who’s “too intense to play the game, even if girls were allowed to play it” was hilarious and she had by far the best line in the movie: “Suck my tiny ginger balls!“. That was the only moment I properly laughed out loud, as it wasn’t just unexpected, but also her delivery was on point. Ok, sorry, but I need to rant for a bit (again).

I desperately want for somebody to give Isla Fisher a proper leading role, not the role of being “somebody’s wife” – she’s proven time and time again, she not only has the acting and comedic chops to steal a movie or two, but she’s charismatic, charming and actually funny! Please, somebody cast her in a movie where she’s the MAIN character, so she can truly spread her wings and fly.

For the most of the movie, I was thinking about rating it, as I wasn’t sure about it at all – it wasn’t hitting me as a comedy, I had a good time with the movie on its own, but couldn’t feel the “heart” as the movie wanted me to. That was until the last 20 minutes or so, where something that I have not expected happens and that, plus Isla Fisher, elevated my rating slightly above average, where I finally gave in, maybe bit later than the movie wanted me to, but at least it get me for a tiny bit.

Tag isn’t a bad movie. It’s an interesting story (albeit a fictional, if you wan’t to know what’s real and what is not, here’s some details about the actual people this movie is based on) that keeps you engaged, but if you go into this movie expecting barrel of laughs, don’t. And if you are looking for a modern comedy where you can actually laugh out loud more than once? I’d recommend either Blockers or even better (and this might be one of the best comedies of the last decade) Game Night (both from the same year as Tag).

Rating: 3.5 out of 5.

That’s all for this one? Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Parasite (2019) Review – Modern Day Masterpiece

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I need to admit something – I didn’t catch Parasite before watching the Oscars live (yes, almost every single year for the past 11 years, I don’t go to sleep, so I can watch the ceremony live, yes, I’m that weird, yes since I live in Scotland, that means it’s from 2 AM to roughly 6 AM) but I’ve heard a fair bit about this movie, so (as almost everybody) I was expecting for this movie to win something. What I didn’t expect is what followed…

Let me just write this right now – after the historical night at the Oscars, I’ve seen it (twice now) and even with those high expectations, I was still blown away. Parasite is is almost a miracle of a movie. What I mean by that is – everything was kind of stacked up against it.

It’s a foreign language movie, so reading is required (which for me is not a chore, as that’s how I learned English, reading plenty of movie/TV show subtitles, plus I love foreign movies) so that will immediately annoy/deter some people. It’s also a movie about social issues, so it’d easy to fall into a trap of being “too preachy” or “not preachy enough”, it doesn’t have a clear genre (I mean seriously, what is it? Is it drama? Is it thriller? Is it a comedy? Is it all of the above, a bit?) and yet, somehow, everything blended together exquisitely under precise direction of Bong Joon Ho, who’s made history, as his movie was the first film EVER to win Oscars for both Best Foreign Movie AND Best Movie, that’s something I’m not quite sure whether anybody can pull off again (but I hope they do).

And he deserved it so much. Parasite is such a clever, nail biting movie, where it honestly doesn’t matter how many movies you’ve seen prior, whether you’re a movie buff, or you see 5 movies/year, you don’t know what happens next. I think that’s one of the main reasons why Parasite was celebrated that much. To make a movie, where there is a clear narrative story, where the structure is given, and yet you, as a viewer, can’t predict pretty much anything that’s coming, but for what’s coming to make sense afterwards… That’s a pure brilliance.

Beware, the SPOILERS are coming!

The other reason I believe Parasite scored largely with audiences and critics was the social commentary, where we follow a family of… well frankly, the lowest of the low, as Ewan McGregor’s character from Trainspotting (1996) would’ve described them. They hunt for a Wi-Fi from restaurant next door, barely making some money, scrapping from day to day, until their son gets the chance to tutor a daughter from a rich family. That’s where the movie seems kind of a like a comedy, where one by one, they find a way to replace all the “servants” in the rich family and employ themselves. And suddenly, they are living well, not just surviving. And they would have gotten away with it, too, if it weren’t for those meddling… former housekeepers…?

I don’t want to spoil too much, but what happens in the second half of this movie, I’ve not anticipated. That’s where the movie shifts to drama and at the end even bit of a thriller territory. I need to talk about two characters that I feel like deserve the most recognition (even though all actors are amazing) – Kang-ho Song (the “poor” dad) and So-dam Park (his “poor” daughter). Why these two?

The poor dad is the heart of this movie, where he’s trying so hard to belong to this rich world, he wishes nothing else but for his children to belong there too, but no matter what he does, he doesn’t belong. As the “rich dad” says to his wife at one point: “I like him. He always seems he’s about to cross the line, but he never does” – that to me establishes perfectly his character – he’s trapped in between these two worlds, where he is balancing on the edge of both, wanting to belong to the “richer” one, but something always pulls him back, maybe “the smell”. That scene, where the “rich dad” is talking to his wife about his “poor smell”, while the “poor” family is hidden in the same room, is truly heartbreaking, and you can tell how the rage is only bubbling up inside of him from that point.

The poor daughter for me is the soul of this movie, as she’s really smart, confident and she doesn’t let herself be stopped by anything, if she’s in doubt, she will google it and fake her way around it. Her character to me only highlights the gap between those two families, where one can’t help but to wonder, what would she be like if she were born in the “rich” family? Her options would be pretty much limitless, and yet, she didn’t let the fact of being born “poor” stop her and managed to do (or fake) so many things. Not going lie, I was rooting for her the entire movie, and what happens to her character at the end (again, don’t want to spoil this too much) just underlines how unfair life can be.

The another thing about this movie is, even after finishing it, you can have hours long discussion with your friends about one thing – who actually WAS the Parasite in this movie? Without going too much into anything, you could make an argument for several people in this movie, really easily. That’s yet another layer of brilliance that amazes me about this movie – you think you’ve found everything about it, then you re-watch it and find yet another layer that you can peel off and “examine”.

I do hope that this movie broke barriers, where it was needed, so this (non-English film winning the Best Picture award) won’t be just a single occurrence, but will inspire filmmakers from all over the world, and sends them a clear message – it doesn’t matter where you’re from, only thing that matters is the movie you’ve made and how good it is. I really hope we will see more of different movies/filmmakers from foreign countries put into a spotlight on Hollywood’s biggest night.

Rating: 5 out of 5.

That’s all for this one? Did you see Parasite yet? What did you think? Let me know!

Until next time,

Luke

Santa Clarita Diet Review – (Seasons 1 – 3) – Gone Way Too Soon

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This review is based on all 3 seasons of Santa Clarita Diet, some spoilers might be involved.

Santa Clarita Diet, aka the show that could… have been great, if Netflix allowed it. But let’s start from the beginning.

This is one of the few shows I’ve actually started to watch soon after it was dropped on Netflix. I thought the first season was decent enough, but I knew this had a lot a space to improve. Some jokes didn’t land for me, but I liked the unconventional story, so I would have rated season one probably around 3.5*.

Then the season two came around, and I’ve found myself laughing more, bonding with the characters more and that was when I thought the show had finally embraced itself fully – the weird, quirky “our mum is a zombie, but still has a functioning brain, so she’s not going to hurt us, but we might need to kill people (but only bad people, like Nazis) for her to eat” sense of humour and story started to pay off. After the second season’s finished, I was really looking forward to the third one. Back then, my overall rating of this show would’ve been strong 4*.

Year had passed and finally we’ve gotten the third season, that yet again raised a bar for this funny show, where their biggest advantage wasn’t necessarily the quirky sense of humour, but the family chemistry between Drew Barrymore, Timothy Olyphant & Liv Hewson where they were absolutely believable as a typical suburban family trying to cope with… let’s just say an interesting time of their life. I was genuinely excited to see what else will happen to them all, so you can imagine my disappointment, when it was announced not even a month after the third season aired, that the show is cancelled.

This is where I need to express my disappointment with Netflix and where I will rant a bit. I no longer feel confident with Netflix’s choices, respectively, I’m not sure whether they might’ve forgotten what actually separates them from a traditional TV station(s). Obviously, I am not an executive producer and I have never been one, but purely from a common sense point of view, wouldn’t you maybe want the creators of the show know “hey, so we got the numbers, it looks like the third season will be your last one, so you might want to wrap it up” or something along those lines? You should utilise the fact you can actually wrap up shows properly, with creators being at least notified ahead of time, so they can do something semi-meaningful with the story, rather than season 3 ending on a cliffhanger or two, and having pissed off fans all around the world. Because they have every right to be pissed off, when they invest their time (and money, after all they pay subscription to Netflix) just for Netflix to pull the plug without telling the creators.

I honestly feel like Netflix needs to understand that it’s great what they are doing – giving money and freedom to people to just do whatever they want and take risks, plenty of times to people who were not as known, or people who couldn’t do certain things on “national” TV stations – that’s brilliant and I applaud them for that. But now they’ve reached a point where they have SO MUCH of their own content, they need to reevaluate what works and what doesn’t, so far, so good. Not everything they make will be popular enough to warrant 5/6 seasons and I honestly get it, at the end of the day, they are business where they need to make money, not loose them. But, and this really big but, like Kim Kardashian + Nicki Minaj combined big, they should be smart about communicating with their creators better in terms of shows and be honest with them, regarding how their show is doing and how likely is for that show to be renewed or not.

Let me put it another way – if Santa Clarita Diet had finished with a third season, BUT the creators knew it prior to that, they would write it with a conclusive, satisfying ending, would people be mad that the show is ending too soon? Yes, because you can’t please everybody. But would the number of pissed off people be way less, than it is now? 100%. And again, I can guarantee you this purely using common sense – you can always defend a show having (only) three seasons with conclusive ending, as you can make an argument “well at least they knew when to wrap it up” or “they’ve ended on a high note, props for that”. But this wasn’t the case for Santa Clarita Diet, as not only it ended on (at least) two cliffhangers, but also the show was getting better every season!

I really hope Netflix will change its approach to their show creators and shows them more courtesy moving on, as most of the things they do I really like. It’s just a shame they didn’t handle this very well.

Now, given everything I’ve written so far, would I recommend a show that doesn’t really have proper ending? That was taken away from us too soon, so even if you like it, you won’t be satisfied with the ending? I’d say yes, as Santa Clarita Diet is definitely worth it. Each season gets better, funnier and the main actors are doing their best and have an incredible chemistry in between them, that you actually believe they are family (with Skyler Gisondo being great addition as the boyfriend character, that could’ve been annoying, but wasn’t).

I will miss this show, and I’m still secretly hoping that somebody somewhere will buy the rights from Netflix and give us one or two more seasons to finish the story properly, as I know they’ve definitely had more to say. I will recommend this with a big disclaimer, that same as Drew’s character in the show, its life was cut short and too soon, so brace yourself for that.

Rating: 4.5 out of 5.

That’s all for this one? Did you see it? What did you think about it? Let me know!

Until next time,

Luke