Category Archives: Movie Reviews

All of my movie reviews…

Pete’s Dragon (1977) Review – I’m No Mary Poppins, Y’all!

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Well, that certainly was… an experience…? Pete’s Dragon is that kind of movie, you need to come to terms with when it was made. Not because of anything highly inappropriate (although in some scenes the movie does get a bit darker, mainly with Pete’s hillbilly family and them looking to possibly kill him in the beginning?) but with regards to the CGI (can you even call it like that?) and how out of place the dragon feels like. And honestly, I do get it, I can’t judge this based on today’s standards, but then you realise Star Wars (1977) came out the same year and… the difference is noticeable. Putting that aside, this movie suffers from two things – it’s way too long and it’s trying really, really hard to be the next Mary Poppins (1964).

As any decent sex therapist asks, why does the length bothering you? I do understand that movie used to be shot differently, so on average, they used to be a bit longer. Which usually doesn’t bother me, if the story is captivating. But with something as simple as this, (orphan has a dragon, “hilarity” ensues) it shouldn’t be anywhere near 2 hours. And unlike my other reviews, I know exactly what could be cut – the entire hillbilly family sub-plot. They are only there at the very beginning and of course towards the end, but overall, they have no impact on the story whatsoever. Pete (and his fake dragon) could have easily just been an orphan, wondering around, looking for a new family, someplace to put his head down…? The family literally serves no purpose then to have some cheap “laughs” and extra villains. If this movie was around 90 minutes or so, it would have been much, much better.

Also, you can tell this movie suffers from identity crisis, as it’s trying so hard to replicate Mary Poppins, to re-capture the same magic. I think where it fails is… everywhere to be honest. Helen Reddy seems really nice and charming, but she’s no Julie Andrews, and even though Pete’s Dragon was made 13 (!) years after Mary Poppins, the CGI looks way worse. I am sorry, I just can’t get over it. I’ve only seen Mary Poppins once and to be honest, thought it was fairly average movie (let me assure you, it’s on my list to re-watch, just to make sure I haven’t missed anything) but I remember thinking for 1964 the graphics they had were decent. But in here, I just can’t get that over that dragon (Elliott). Again, I totally understand the thousands of hours that went into making him this way, but… yeah.

I am always wary of reviewing “a classic” movie, I did not grow up on, as I realise I am no longer the target audience for this. And that makes me wonder how would I like Pete’s Dragon, if I were to watch it when I was 5/6 years old. Would I love it? Would I still think the dragon looks bizarre? Would I still feel it’s too long? I can’t answer these questions, as until we have a time machine available, we will just never know. But, I can tell you, other movies from even before 70’s hold up really well even today. Unfortunately, Pete’s Dragon is not one of them.

Overall, if you grew up on this film, re-watch it and see for yourself whether it’s still something you enjoy. If yes, I am honestly happy for you. If not, that’s also ok, to outgrow some movies. I will watch the remake from 2016 just to see, what they have done differently and who knows? Maybe because I am lacking any emotional attachment for this version, I might actually like it…?

Rating: 2 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Terminator: Dark Fate (2019) Review – Terminator 3, Take 2

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Praising Terminator: Dark Fate for being the best Terminator sequel since Terminator 2: Judgment Day (1991) (even though I still believe Terminator 3: Rise of the Machines (2003) gets a bad reputation and especially considering the two movies that came after that film, wasn’t bad at all, but I do need to re-visit it to see how it holds up today) is like praising a wild animal for only eating your left hand, as that’s the one you don’t use that often. Sure, but wouldn’t not eating any of my hands be much better option?

What I am trying to say is that Terminator: Dark Fate definitely is the best Terminator movie we have gotten since (for me) 2003, but given the “competition”, that’s not really a high bar to climb. It is almost impossible to talk about this movie without going into the spoiler territory, so before I go there, let me just say the main points here – the new “human saviour” is pretty bland, the new Terminator (Gabriel Luna) is 100% the best “evil” Terminator we’ve gotten since T2 and overall this movie is really, really solid. Having said that…

Beware, SPOILERS are coming!

I think your enjoyment of this movie depends on how willing you are to (yet again) disregard previous 2 films (that’s right, Terminator Salvation (2009) and Terminator Genisys (2015) never happened) which I believe most fans are fine with. But, there is one additional and really important caveat – you also need to be fine with the hero of T2, John Connor, being killed at the very beginning of the movie. That is why I think plenty of fans had an issue with this movie from the very beginning. Without trying to sound like a certain US president, I can see both sides when comes to this issue – on one hand, the timeline was so over the place, this was the best thing to do narrative-wise, as it allows you to follow up “the good stuff” and not care about how other movies prior made “the good stuff” obsolete. But that is a paradox within itself, as even though Sarah and John stopped Skynet, he dies and something else just takes its place, Legion. That’s the other side – it feels like even though this film still acknowledges the first two movies, it kind of makes them obsolete too, by killing the leader of human uprising against the machines, I can see why people would be upset. I thought for this story it worked, I didn’t have any major issues with that decision.

What slightly bugged me was Natalia Reyes, respectively, her character. I think she did a decent job, but her character, even though she’s “the new John”, as Linda Hamilton puts it, felt really bland. I know she’s supposed to “grew into a leader”, but I don’t think we have seen a lot of that and just wished we would have gotten a glimpse of that. I wouldn’t necessarily blame Natalia, I honestly believe they should have focused some part of the movie to why is she THAT special, that she’s the one who gets all surviving humanity united, as we’ve only gotten one flashback scene, where she saves Graces (Mackenzie Davis was great) and then has the BRILLIANT idea of “maybe we should unite and fight the machines” and you think… really? Is she really the first one who thought of that…?

What I was impressed with is, as mentioned before, the new Terminator, Gabriel Luna. I really liked the fact he didn’t have that much dialogue, because that only made him more menacing and he felt unstoppable. Without any exaggeration, he was the highlight for me, as I really felt the danger every time he was on the screen, my hat is off to you, sir.

When I talked about paradoxes, this might be the ultimate meta paradox – they finally make a decent Terminator movie, but it is so late and we still had a bad taste in our mouths after the last movie, nobody actually cared. The box office was underwhelming, even bringing back both stars of T2, Linda Hamilton and Arnold Schwarzenegger, made no real difference, as people have given up on this franchise. Which, for this movie is a shame, as on its own, it’s pretty solid Terminator movie. I honestly wonder, whether we will get another one at some point, or whether (which is more likely) we would get a TV show, that starts from the very beginning…

Overall, Terminator: Dark Fate is a decent action movie, pretty good Terminator movie and you won’t be bored with it. If you can accept the fact the first two movies will (probably) never be topped, quality-wise, and to certain extent, no longer matter in this universe.

Rating: 3.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Battleship (2012) Review – You Sunk Your Battleship, Peter Berg

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Let me be clear, did I have massive expectations that this movie, based on a board game, will actually be great? No. Did I expect to be this average? Also no. And that is the main issue with Battleship. This could have been a dumb, fun movie. Instead, it’s a long movie, that is just plain dumb, with no fun.

I think the main thing (I really don’t want to say problem) here is Peter Berg – he’s a great action director. Some of those sequences actually still looked pretty great (the very first time we see the alien ships, and when they jump over their ship was quite neat) but I don’t think he’s a great “actors director”. Let me explain – you have a few decent people here, like Taylor Kitsch who I would argue is not a dramatic, soon to be Oscar winner by any means. But I do believe he’s capable of much more (if I remember correctly, he was one of the brighter points of the poor second season of True Detective) and it’s no secret, that 2012 wasn’t his year. Nevertheless, I still think he’s better than some people give him credit for. Then you have Liam Neeson a really seasoned actor, who has done a lot of great things, but in this film, he seams not fully there, overacting. And then you have Ri-Ri (you might know her as Rihanna, but I call her Ri-Ri because that’s how I roll) who was totally wasted in this movie. Not even talking about any acting, because she’s literally had no space to have any character, she was always kind of in the background, with most of her dialogues comprising of “Yes, sir”… why even hire her for that role? Such a waste.

The other thing about Battleship, it is way too long and it overstays its welcome. If you were to develop your characters better, than you could justify going over 2 hours (this movie is 2 hours 11 minutes) but this film is not really interested in doing that and instead, indulges itself in plenty of unnecessary scenes. I swear I have seen certain scenes that I had no idea why were they necessary to film, let alone put them in the finished film. This whole movie could have been at least 20 minutes shorter, and honestly, it could have been a fun, slightly dumb B movie we could all enjoy. Because occasionally, you do need to switch off, just relax, watching ships go boom. But this film takes itself way too seriously, so I was not sure what to think about it.

Which is a shame, as I love cheesy, dumb, B movies (after all I grew up on action movies from 80’s/90’s) where you shouldn’t take the movie seriously and let’s face it, what would be the better candidate for that, than a movie based on Battleship board game, where you could literally come up with 50 different stories…? As long as you give us some boats (pardon, ships!) destroying each other, you are golden. But this movie doesn’t feel fun. It just feels like a mix of action, with plenty of “meh” in between. Which is a shame, as with solid cast, pretty solid action scenes and Ri-Ri on top of that all, this should have been my guilty pleasure. Instead, I would feel guilty recommending this film to somebody with a good conscience.

Overall, you can definitely do worse than watching Battleship, that’s for sure. And I do still believe that on technical level, it’s pretty good movie. Too bad the story and characters have had a minimum work put into them. It’s also a shame somebody didn’t suggest to Peter Berg editing this film, before releasing it, as that would’ve sorted some issues. I will still continue playing Battleship, as it’s a game a do enjoy. But I don’t think I will be in a hurry to re-visit this Battleship.

Rating: 2.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Salon Kitty (1976) Review – Whor… I Mean Sexual Workers Against Nazis!

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Salon Kitty is a strange movie, by “infamous” director Tinto Brass. If that name rings a vague bell for you, he’s best known for another outrageous film, Caligula (1979) that is still considered one of the most controversial movies of all time. But I thought it was quite a good movie, even though at certain moments, really hard to watch. I wish I could say the same about this film.

Don’t get me wrong, the idea behind this is great – an army man wants more power in a Nazi Germany, so he moves a brothel to a different location, where he installs cameras and plants bugs, so he’s got dirt on most of the high ranking officials. You can tell he’s really power hungry and motivated to blackmail his way as close to the top as possible. The first hour of this movie is actually fairly entertaining. Plus, when “Kitty”, the woman in charge, learns about everything that’s going on in her brothel, she comes up with a plan on how to put a stop to the man and that part was also well done.

The problem here is the movie drags on. I can’t believe I am about to write this, but there is only so long you can look at naked bodies. And you can tell Tinto really indulges himself with some scenes. Caligula had a similar issue for me, where even though it’s marginally better movie, I remember that dragging on for the sake of nudity, at least that’s how I felt (but take it with a pinch of salt, only seen the movie once, around 7/8 years ago). This movie is not on that level, I am afraid, as it has a really interesting beginning and fairly decent end, but there is a good 40/50 minute chunk in between that could have been told in about 10/20 minutes maximum.

I am convinced there is a decent movie here, just waiting to be re-edited a bit. If we put aside all the indulgent scenes, or at least cut some of them (we get the point, sex sells) this could have been a swift 90 minute movie, that would probably work much better, without losing any narrative.

I would only recommend this movie if you are at all interested about a different kind of World War II movie, respectively, different kind of espionage. Which again, is a great idea for a movie, as this form of espionage (getting as much as possible from men through sex) has been around, and used in a lot of a real life wars. Unfortunately, it’s not as great as it could have been, and what’s worse, you get bored after a while. I wish Tinto had a different editor (he’s also edited this movie) that could have maybe challenged him on some scenes, as with Caligula, the over-indulgence made sense because that’s who he was. With this movie, it doesn’t work as well. And yes, I realise he’s made Caligula 3 years after this movie, but that doesn’t change my point.

Rating: 2 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

John Wick: Chapter 3 – Parabellum (2019) Review – Who Wants Piece…

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This movie could have easily been subtitled “John Wick: Chapter 3 – John Against the World” and that would sum up this third movie quite neatly. As with its predecessor (my review for John Wick: Chapter 2 (2017) can be found here), the assassin world is getting bigger (I am starting to feel like the only person on the planet who isn’t a professional assassin at this point) the stakes are getting higher, the rules/world building is expending and Keanu is in the middle of it, kicking more ass than ever. But this time, he’s got Halle Berry alongside him (for about 20 minutes). And I loved every second of it.

John Wick: Chapter 3 – Parabellum starts where the previous finished – without getting into spoilers, let’s just say something big has happened and now, John has to deal with consequences. Thus begins the longest chase throughout New York you can imagine, where almost every New Yorker is a semi-professional assassin, and Keanu kills not just one, but TWO people by using a horse. I don’t think this is a spoiler or very major detail, it’s just so funny and great, it needed to be mentioned, as I honestly can’t remember if I have ever seen a movie death so unexpectedly funny.

Thinking about it, this is how we could describe Chapter 3 – unexpectedly funny. It felt like more than the other two movies, this one has the most laughs, but it doesn’t feel any cheaper because of it, if anything it makes certain scenes standout (Mark Dacascos‘ character almost fan-girling on John right after they’ve fought, for example) and again, it fits well within this story.

With every new John Wick movie, the action set pieces are getting bigger and more imaginative and I love it. Some of the highlights in this movie include the motorcycle chase with katanas (Japanese swords), the “John travels to a different country” part of the movie and the very end. Let’s talk about the end (without spoilers).

This is the first time it felt like the creators behind this movie knew, there will be more movies to come, so the story almost accounts for that, by trying to have some twists (can you even call it like that?) It will be interesting to see whether the next two movies (that’s all that’s been announced, but you know how it is, if they make money, they will make more movies) will keep the high standard/bar as the first 3 movies, or whether it will start to slip up. Personally, with what I know based on the end of this movie, I am intrigued to see where the other movies will take John and us and I am ready to give the creators the benefit of the doubt on this one, as they have proven by now that world building and action set pieces are their bread and butter. I just hope they won’t go the route of “it’s John Wick, therefore he can survive anything”, as that would be the only thing worrying me about upcoming sequels, as in this movie, John survives a lot. Like a normal person would be dead 10x prior the end.

I need to mention something else, one more thing John Wick: Chapter 3 – Parabellum has done perfectly. Even big budget movie like Star Wars: Episode VII – The Force Awakens (2015) tried, but ultimately failed to do this properly. This film gave the guys from The Raid movies (Cecep Arif Rahman and Yayan Ruhian) roles, that allowed them to showcase what they know and go toe-to-toe with Keanu. I don’t think that’s a spoiler, as from the moment they show up on the screen, you know that two real-life skilled fighters must have a fighting scene here and they do. That is how you utilise those guys, Star Wars, and not by having them be there for a pointless cameo, just for them to die within 5 minutes (oh yeah, spoilers for Star Wars, but honestly, it has no impact on the story, so the same as that movie, I can’t be bothered to do better).

Overall, if you liked the previous John Wick movies, the chances are really high you will like Parabellum too. It’s true that so far, this movie pushes you to suspend your disbelief the hardest, when comes to “he survives this” but I still haven’t found it outrageous. Or, more likely, I am still having fun with the movie, so that doesn’t bother me as much. If I had less fun with it, it would have bothered me a bit more, and that’s my only worry for the upcoming two movies. But so far, I am actually hopeful, as the people behind these films seem to know what they are doing. And I am hoping for Halle’s return, as she only gets better with age and she stood her own alongside Keanu.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

John Wick: Chapter 2 (2017) Review – My Personal Favourite

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As I mentioned in my previous review here, I didn’t need several viewings for John Wick: Chapter 2 to become my favourite out of this (so far) trilogy. Something clicked and even upon my latest re-watch, I still consider this film to be the best out of the ones we have gotten so far (and yes, I know there are at least 2 more movies coming our way).

Paradoxically, one of the main reasons I like this movie as much, you can tell they have a bit more money to spend, which is usually a downside for any sequel, as with more money filmmakers usually forget what made their first movie such a success. But not this franchise. They took the money and utilised them for bigger set pieces, new locations (I love the Italian part of this movie) and added a few actors (reuniting Keanu with Laurence ‘Morpheus’ Fishburne, for the first time since the Matrix Revolutions (2003)) but most importantly stayed true to what the first movie was. Yes, in Chapter 2, everything feels bigger, but it naturally bigger, it never felt forced, unlike other sequels.

I believe part of the reason for that is the subtle, but great, world building. We have a few hints of that in the first John Wick (2014) movie, where you get the basic gist of it (there is a secret society of assassins, they use golden coins as their currency, they have some rules they follow, John Wick was the best out of them all and managed to get out from that world) and what this sequel does so well is expend on that idea, give you a bit more rules, that make sense. Whenever these films are discussed, plenty of people focus on the action and the action only, which is great, don’t get me wrong. But people often overlook the simple, yet effective world building. They don’t try to force feed you the rules in one go, every movie you have a set of “new” rules we didn’t know prior and it never feels forced.

My favourite part of this movie, as mentioned prior, is the Italian mission. Where we meet Franco Nero, who runs the “Italian Continental”, Peter Serafinowicz gives Keanu some weapons and off he goes for another “impossible” mission. The entire sequence is honestly great, the level of planning (simple details such as Keanu leaving his weapons scattered throughout the underground, knowing he needs to reach certain points, is a great touch) is smart and you can tell John Wick is kind of a super human. But somehow, it never feels laughable. Some moments might make you question what else can he survive (or maybe a better question what would actually kill this guy?) but you let it go, because the action scenes are so entertaining and well shot, you just go with the flow and don’t have a time to nitpick. That’s always a great sign, movie being so entertaining you don’t really stop and think about any plot holes, because you are fully transported to this movie’s world.

This is yet another thing in which these films succeeded where others failed – you could nitpick this and other two movies to death, but you will not, because they are quick and entertaining. They might suspend your disbelief a bit, but never to something like Fast and Furious level, where they literally became superheroes with cars. John Wick is close to a superhero, but something always happens where you not only see him bleed, but also suffer and that makes him more relatable. Plus, he’s on plenty of medicine, so you could make an argument that he’s reached a super level of functioning junkie, because he needs something to numb all that pain (next time you watch these movies, notice how often he gets and takes pills).

Overall, John Wick: Chapter 2 was the film that convinced me that I will watch any future sequels and that I am fully on board with this becoming a franchise. As long as it’s always directed by Chad Stahelski (credit where credit is due, this guy has worked himself up from stunt coordinator to a movie director, who can shoot action sequences like almost nobody else today) I will be on board. And Keanu. Without him, there is no John Wick.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

John Wick (2014) Review – The Return of Keanu

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Without any exaggeration, John Wick is one part of a reason Keanu is the “God and saviour of our internet” today. If you don’t know what I am talking about, that means you don’t know sites like reddit, where people worship him. And to be fair, there is so much evidence of him being such a wholesome person, it’s hard not to like Keanu. I feel like that is why I have dismissed this movie, or its quality to be exact, as I have heard that it is great action movie, one of the best in the last couple of years, Keanu is back… I thought, well, maybe, but more likely people who really like Keanu want him to come back. But then, I’ve seen John Wick. And they were right.

This film is the pinnacle of “simple story told right”. Your movie doesn’t have to have twists, doesn’t have to be really dark, really funny, or have ton of known actors. All fans need is a connection, to Keanu, his dog and the really simple, yet effective story, of best hired killer that came out of “retirement” just to avenge a death of the dog (I won’t even label this a spoiler, as this is the “I’m your father” of our generation, everybody who even remotely heard of this movie knows that the dog dies) and his car getting stolen. That’s it. That is the story.

The reason John Wick succeeded where other movies (with similar vengeance story lines) failed is simple – Keanu and the actions scenes. Let me break this down.

As mentioned in my opening paragraph, people have always liked Keanu and they wanted him to do well. But ever since mid 2000’s, he didn’t really have a hit movie, or a TV show on his resume. So it started to look like he’s peaked with the Matrix movies and he will never get back to the “big leagues”. And then John Wick comes along. I think this role fit him so well, as certain people might have thought “you might as well retire at this point” and he said no, he kept trying. There is a line in this movie that goes:

People keep asking if I’m back and I haven’t really had an answer. But now, yeah, I’m thinkin’ I’m back.”

To a certain extent, you could say this wasn’t just John Wick saying it in the movie, but Keanu announcing the fact that he’s back and he’s ready to have his “second coming”. I would label this as a “side” reason of why this movie has done so well.

The main reason this (and the subsequent movies) are as popular and well received are the actions set pieces. They feel new, they feel exciting and there is a very “simple” reason for this – hours and hours of hard work of stunt people, choreographers, and honouring that work by not cutting your action scenes to death. It’s truly great to see an amazing action movie, where they are not afraid to show you where everybody is, they only cut to a next scene/different angle when it’s absolutely necessary. I understand why this won’t really become a standard, as stunt work is hard and Keanu did around 90% of his stunt work himself. Plenty of big Hollywood productions can’t risk their main star getting injured during an action scene(s), because that would delay the shooting, possibly a release of the movie. I get it, I completely get why most Hollywood movies are shot/edited the way they are, and I can’t really blame them. That’s one more reason to cherish these movies as the unicorns they are. The amount of hard work that must have gone to every action set piece…

Every time I re-watch John Wick, it gets slightly better. I remember when I’ve seen this movie for the very first time, I was around 7/10. The next time, a year or two later, it went to 8/10. Now, it’s a solid 9/10. I do need to admit (I might be in the minority here) I prefer the John Wick: Chapter II (2017) slightly more (don’t worry, the reviews for that movie and John Wick: Chapter 3 – Parabellum (2019) will follow) but at this point, it’s just a minor things, splitting hair. You can’t really go wrong with either of these movies. And all praise Keanu!

Rating: 4.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Motherless Brooklyn (2019) Review – Too Much Norton…?

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I do love me some period films. But with these, it can either be a big hit, or a very big miss. Motherless Brooklyn is, strangely, kind of in between. The movie has potential, some really good performances and the story/mystery does grab you and doesn’t let go until the very end, but there is just something about this movie that doesn’t fully click.

I really like Edward Norton, despite the horror stories about his nightmare behaviour on movie sets (this article sums up most of it) but this movie might have had a case of “too much of Edward”. I don’t think he’s as good of a director/storyteller as he is an actor. And I don’t think that’s something controversial to say. I am not suggesting he’s a bad director, because he definitely knows what to do, some of the shots in this film were truly great, but I think the main reason Motherless Brooklyn didn’t click with me all the way, it just felt fake. Not the story element, but the period element. I don’t know why, it just looked too polished, too “new”… Think of The Untouchables (1987) or the brilliant HBO show Boardwalk Empire (2010 – 2014), these all felt as authentic as they could, so you could immerse in their world. This movie lacked that “it” factor.

But everything else around it was pretty well done, to be honest. Edward’s definitely made correct decision when he decided to cast Gugu Mbatha-Raw as her performance was really great. So subtle, nothing too flashy, but she definitely was the highlight and centre piece of this film. When the movie started and I’ve realised Edward’s character suffers from Tourette’s syndrome, it threw me off for a bit, as the first couple of scenes were… well, bad. But it seemed to have improved (the acting, not Tourette’s) as the movie went along, so it wasn’t a disaster by any means. Plus, being Edward Norton, you do make some decent contacts, so there are great performances by Willem Dafoe and Alec Baldwin and in smaller role, Michael Kenneth Williams, who’s always reliable.

As I said before, the story is intriguing from the very beginning, even though it might be a bit tough to follow at some places. Which brings me to another thing I would like to mention. I don’t know who came up with the idea to set this film in the 50’s, when the book this movie is based on takes place in the 90’s, but it worked really well. At least for the story element, but again, I do need to repeat myself, you don’t get the feel of the “ye olde times” as from other movies/TV shows. What this movie does really well though is build the relationship between Norton’s character and Gugu’s character, where only around her is his condition “calmer”. Especially in the scene where they dance and you can tell, that for the very first time in ages, his “threads in his heads” have calmed down, just for a little while, but they did.

The more I think about this movie, the more I am convinced Norton should have focused on the acting and there should have been somebody else directing the film, somebody like Martin Scorsese, Brian De Palma, one of these “old timers”, who could’ve taken the material and give it the extra “something”, that would have put this film a good category up. Because Motherless Brooklyn is a film, that’s pretty good, but with somebody else stirring the ship, it could’ve been excellent.

Rating: 3.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke