Tag Archives: 1976

Movies or shows released in 1976.

Assault on Precinct 13 (1976) Review – Between Tension and Comedy

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Assault on Precinct 13 is one of those movies, that you can’t escape from, when you turn into a cinephile. Often mentioned alongside its remake by the same name from 2005, that’s also supposed to be pretty good. But for what its worth, I have never heard about the main selling point behind the movies’ “X” rating (that’s what people in Hollywood call a death sentence, as that’s the strongest advisory rating there is, only a few mainstream movies get those). And you know what? I am going to talk about it, and even though this is a film from 1976, I will eventually put a spoiler tag in front of it, as it’s something, that if you’ve not heard it’s coming, it will definitely shock you.

But let’s start from the beginning – this is John Carpenter‘s second feature movie, just a few years before he cemented his name in the cinematic history once and for all, by creating one of the most known/recognisable movie serial killers of all time, Michael Myers (yes, of course I am talking about the Halloween (1978) movie, that turned into a franchise spanning around 1629 sequels/remakes by this point). But even in this film, you can tell this is from him, as it has his signature all over it. From the funky, unique synthesizer soundtrack, that he himself created/recorded (that’s something he does often, including the famous Halloween theme that is also done by him) to steady camera work, the tension build up, working with mainly “smaller” actors, it’s all here. Even the story could not have been simpler, but because of they way he tells it, you are invested. If there is one thing Carpenter always knew how to do, is to take little to no money he had to his disposal and utilize it in the most effective way possible. His movies never look cheap, even though he never had (especially in his early years) money to splurge.

By far the best thing this movie has going for it, is the tension building. I can see how it could be perceived as boring by today’s standards, especially the first 30 to 40 minutes of the movie, nothing much happens except of THAT one scene I will talk about soon, but in the reality, you can feel the uneasiness being built. And that is something we are not used to anymore, in this day and age of hyper, quick editing, straight to the action films. The more of Carpenter’s movies I watch, the more I wonder how come we don’t talk about him on the same level as Alfred Hitchcock, who is known as the “master of suspense”. I could genuinely argue John Carpenter should be in the same discussion, because his movie might not always be 100% perfect, but you could always cut suspension with a knife and he knows how to build it and utilize it.

Before going into the spoilers, let me just explain my only thing against this film – the performances. I understand the standards were way different in 1976 to what we have now. But some of these line readings were borderline awful and almost put the movie in the comedy genre for me. I am not going to single anybody out, but let’s just say that maybe John wasn’t as great when comes to directing women, as some of them read their lines with either deadpan delivery of a robot, or really over the top. Yes, I know you can say that even Halloween has some of this, but in there, I felt like it’s not as visible, or mostly it’s overshadowed with everything else that’s going on. And since this is more straightforward, more contained story, it is more noticeable. Ok, so let’s go the “main” shocking scene and as weird as it might seem, putting the spoiler tag for a movie that’s almost 50 years old, I encourage you, don’t read any further, if you haven’t seen it and you are considering watching this film. For the rest of you…

Beware, SPOILERS are coming!

It’s so weird having this tag for such a straightforward movie and for what is just one scene, but I really believe this is the crucial scene, that will “wake you up”, if you think this movie is boring. Maybe that’s the reason this scene is in the film, maybe just to make you aware, that anything is on the table, but yeah, I am talking about the infamous “ice cream scene”. This is one of the few mainstream movies, where we see a child (small girl, in this instance) getting physically shot and the camera doesn’t cut away. I can’t remember of the top of my head, but I have definitely seen movies, where children die, that’s not “unusual” (what a weird thing to write about, btw) but I am scrambling my brain for a mainstream movie, where the camera doesn’t either cut away when it happens, or we skip the scene altogether, so it’s implied it happened, or just stated it happened in the next scene. But not here, no. Here we see it and what adds to the scene, it happens like it’s nothing, no emotions, no hesitation, just a simple shot through the girl’s ice cream (that’s what you get for complaining about your ice cream, I guess? :-D, I know, I am a horrible person).

Overall, Assault on Precinct 13 is definitely worth watching, if you are into smaller, straightforward movies and you can appreciate a film, that takes its time and builds up tension. If you like Carpenter’s earlier films and admire his style, you will definitely have a good time with this one too, just get ready for some questionable performances and one scene, that might be quite uncomfortable, as it’s something, we don’t get to see too often (and I would say that’s a good thing).

Rating: 4 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Salon Kitty (1976) Review – Whor… I Mean Sexual Workers Against Nazis!

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Salon Kitty is a strange movie, by “infamous” director Tinto Brass. If that name rings a vague bell for you, he’s best known for another outrageous film, Caligula (1979) that is still considered one of the most controversial movies of all time. But I thought it was quite a good movie, even though at certain moments, really hard to watch. I wish I could say the same about this film.

Don’t get me wrong, the idea behind this is great – an army man wants more power in a Nazi Germany, so he moves a brothel to a different location, where he installs cameras and plants bugs, so he’s got dirt on most of the high ranking officials. You can tell he’s really power hungry and motivated to blackmail his way as close to the top as possible. The first hour of this movie is actually fairly entertaining. Plus, when “Kitty”, the woman in charge, learns about everything that’s going on in her brothel, she comes up with a plan on how to put a stop to the man and that part was also well done.

The problem here is the movie drags on. I can’t believe I am about to write this, but there is only so long you can look at naked bodies. And you can tell Tinto really indulges himself with some scenes. Caligula had a similar issue for me, where even though it’s marginally better movie, I remember that dragging on for the sake of nudity, at least that’s how I felt (but take it with a pinch of salt, only seen the movie once, around 7/8 years ago). This movie is not on that level, I am afraid, as it has a really interesting beginning and fairly decent end, but there is a good 40/50 minute chunk in between that could have been told in about 10/20 minutes maximum.

I am convinced there is a decent movie here, just waiting to be re-edited a bit. If we put aside all the indulgent scenes, or at least cut some of them (we get the point, sex sells) this could have been a swift 90 minute movie, that would probably work much better, without losing any narrative.

I would only recommend this movie if you are at all interested about a different kind of World War II movie, respectively, different kind of espionage. Which again, is a great idea for a movie, as this form of espionage (getting as much as possible from men through sex) has been around, and used in a lot of a real life wars. Unfortunately, it’s not as great as it could have been, and what’s worse, you get bored after a while. I wish Tinto had a different editor (he’s also edited this movie) that could have maybe challenged him on some scenes, as with Caligula, the over-indulgence made sense because that’s who he was. With this movie, it doesn’t work as well. And yes, I realise he’s made Caligula 3 years after this movie, but that doesn’t change my point.

Rating: 2 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

In the Realm of the Senses (1976) Review – Well, that was a… movie?

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Before reading my review, I highly recommend reading something about Sada Abe – yes, this movie is based on a real life incident, and her life seems exactly the way you’d expect after watching this movie.

I’ve heard a few things about this movie, so I thought I was prepared for it.

I wasn’t.

Forgive me, if my sentences are shorter than usual, but I’m still trying to process what I’ve just watched.

In the Realm of the Senses is not a movie for everyone. It’s definitely on the artsy side of movie-making, where it’s not hard to follow (the story couldn’t be more simpler) but you need to get over all the nudity, sex, devotion, passion… Let’s put it this way, if you are one of those people, who blush easily during a Hollywood “sex scene”, prepare to be as red as communist’s flag on 1st of May, as boy, oh boy… This movie isn’t about anything else than two people being devoted to each other, where both take it too far (but arguably Sada took it way, way further).

The version I’ve seen was 109 minutes, but I guarantee you, if somebody was to cut all the non-sexual scenes from the movie (and I’m almost 100% convinced somebody’s already done that) the movie would still be around 85/90 minutes. That tells you everything you need to know. In a way, it’s fascinating.

So, is this just a porn movie that somehow got theatrical run? I am going to say no, and yes, I know it sounds weird, especially with everything I wrote up until this point, but bear with me. It’d be really easy to discredit this film as nothing but dirty porn movie about nymphomaniac with some mental issues, but that’d discredit everything the movie is trying to convey.

I feel like this is more about what the movie is trying to make you feel, rather than the visuals. Because after a while, you become desensitised to all the nudity and sex, and start noticing how by each act, each new day, the stakes between the couple are getting higher, the passion/devotion these two had for each other, there was something special about that. I’m not saying something healthy, or something we should all be aiming for, dear god no. But when you focus on the story/character of Sada, and her passion to control the love of her life to the point where it results in one really disturbing scene most men would love to never see again in their lifetime, that’s when you either understand the method to the madness, or not. Because at the end of the day, she was extremely sad, somewhat mentally broken character, and the way I read this movie, she was just looking for somebody to help/sympathise with her, somebody she could feel safe with.

I was a bit mesmerised by this movie, I thought Eiko Matsuda gave chilling performance and it’s s shame what happened to the actress after (basically she was shamed and almost banned in Japan, forced to life in France for most of her life) she made this film.

Is this a movie I need to see again? Probably not, but when comes to this I do have a rule, which is to never say never. But it’s definitely not something that you’d just pop in one Saturday afternoon for some quality family time (if yes, what the fuck is wrong with you? :-D)

Rating: 3.5 out of 5.

This is it for this controversial movie. Have you seen it? If so, what did you think? Let me know!

Until next time,

Luke