Category Archives: Movie Reviews

All of my movie reviews…

Alfie (2004) Review – Stylish, Yet Cold

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Alfie is one of those “let’s re-do something, that was unique a few decades back” remakes. Unfortunately, the people behind this film failed to understand why the original Alfie (1966) was the unique hit, that put Michael Caine on the map. It wasn’t about him being the womanizing Brit, who can seduce pretty much anybody he wants. It was about that lifestyle, and consequences of that lifestyle (yes, that one scene), that didn’t shy away from talking about difficult issues, back in 1966!

Let’s take a look what these films have in common – objectively good looking English man, who’s playing the game, just so he gets “beaten” in the same game at the very end, learning (or maybe not) his lesson during it. Both Michal Caine and Jude Law are stylish, suave, and you believe them that they can pretty much get anybody who they demand. But, that’s where the similarities end.

This remake did something, that puzzled me – it took out any sense of risk, or “danger” the original had going for it. Let me explain – both movies have a subplot about Alfie possibly being sick with some sort of STD. The original spends quite a big part of that movie on this, and you actually are worried about Alfie, as everything seems dark for him. He’s in very bad place and you trust him that. Whereas this movie deals with this subplot in about 10 minutes, or what felt like 10 minutes, where it seemed like Jude Law isn’t even that bothered by that. It’s almost like this movie wanted to have all the “fun, glittery” bits of the original without any of the reality bits part of it. Which defeats the point of the movie. I do need to get into the spoilers for both this remake and the original film, so…

Beware, SPOILERS are coming!

The main thing about the original was the abortion scene. No matter where you stand on this issue, it will make you truly uncomfortable, as it is meant to do that. That is why the original made such a big mark on everybody, especially in the late 60’s! And this remake tried to do the same, except since it’s now taking place in America (oh yeah, in this remake, Alfie is a Brit who lives in New York, for reasons?) I guess the filmmakers felt like the audience was not ready to have that conversation (even though it was in 2004) so they make you believe it happens, just to undo it, and have a surprise “Alfie’s got a daughter” scene. Which is not really a surprise. And that totally undercuts anything this might have had going for it. I am not saying since this is a remake, everything needs to be exactly the same, no. It’s great when remakes try to do things differently. But maybe don’t change the most impactful part of the original movie? It’s like remaking Star Wars and instead of Darth Vader being Luke’s father, it would have been his great-uncle he’s never met and isn’t really important to the overall story.

To me, this Alfie is personification (or filmonification… that’s definitely a word, right?) of “having your cake and eating it too” movie, where they remake something, that used to be almost revolutionary, take the flashy, sexy bits, and leave everything of substance on the floor. And that is a shame, as this cast (already mentioned Jude Law, Marisa Tomei, Omar Epps, Nia Long, Susan Sarandon and Sienna Miller) is definitely deserving of a better movie. But I do need to say, especially Sienna Miller really did something here, as I don’t think I have seen her be as great, especially considering the limited time she had in this movie.

Overall, if you are looking for an easy watch, where you don’t have to think too much, you don’t want to worry about anything and watch couple of sexy people live their best and sometimes worst lives, Alfie might be for you. But if you are looking for something, that will stay with you for some time, even though it might make you feel uneasy, I would highly recommend the original version.

Rating: 3 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Trading Places (1983) Problematic Masterpiece…?

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I will show my hand straight away with this movie – I love it. I have seen it many times before, for me, this is one of the best performances for both Dan Aykroyd and Eddie Murphy (and both have had great careers). On top of that, brilliant work by Jamie Lee Curtis who’s not only stunning, but can keep up with both of these comedy giants (I’ve always thought she’s seriously underrated in this movie). So, how come it’s problematic? Well, let me ask you, when was the last time you’ve seen this movie fully?

Because I remembered, there are some uses of the “n-word”, which even though it can be argued is not appropriate (because it’s not), it unfortunately fits within the story and fits the character who says it. Actually, let me stop here for a bit before talking about the scene I’ve forgotten completely is in the movie. Only on this recent re-watch I have realised the racist element and difference between the Duke brothers (brilliantly played by Ralph Bellamy and Don Ameche). Yes, both are in their core bad people, there is no argument here and the movie makes it pretty clear. But there is one major difference, how they see Eddie’s character, Billy Ray. Randolph (played by Ralph Bellamy) seems him as person, whereas Mortimer (played by Don Ameche) doesn’t, and it’s him who utters the couple of “n-words” in this movie. I have never realised it until now, that there is a tiny difference between them. But again, both are pretty horrible, messing around with people’s lives… that’s just not right.

The one scene I have genuinely forgotten about is towards the end, where as a part of rouse, Dan Aykroyd’s character is wearing a full on black face, as he’s supposed to be Rastafarian. And look… this is where we need to be adults and recognize that yes, it’s not terribly great thing to do, and to be fair, this doesn’t set him up with funny jokes either. But we can’t go around and start “cancelling” this movie because of this one scene. 80’s were different, wild times (I mean, how many mainstream Hollywood comedies of today you can name that have proper nudity?) where almost nothing was off the table. And now, we can disagree with it, we can learn from it and move past it. But does this mean we should start pretending this movie isn’t great? No, I’d hope not. In the same vein how certain people are now trying to go back and claim that Kevin Spacey was always a mediocre actor, I am sorry, but that’s just wrong. I don’t know whether he did what he was accused of or not, so I can’t judge him, but I do feel bad about watching a movie with him in it. BUT, will I start claiming “he was never that great…”? No, because that is why it hurt, when we learned of the accusations against him. If he truly was “just a mediocre” actor, we wouldn’t have cared as much, but because he was somebody who up until 2017, was one of the most respected actors of his generation, we cared. And the same goes for this movie. I really hope some “overly woke” people, who always like to pretend they would have definitely been opposed to this in the 80’s (sure you would) won’t create bunch of clickbaity articles about why liking this movie is wrong.

Humanity is not perfect and guess what? We will never be 100% perfect. I guarantee you, today, in 2020, we are doing something, that in 5/10 years, will be questioned, shamed. And that’s good thing, because that means we are constantly evolving, we are questioning what is right, what is wrong and that is good. The only problem here are people, who are always trying to be holier than thou, who would like to bundle up everything “not up to a certain, *moral* standards” and cancel it, burn it, not show it, because it’s bad, it offends them. But that’s just wrong, because we will never learn! There is a saying that goes “Those who don’t know history are doomed to repeat it.” and it couldn’t be truer today. We should be able to watch something, that we know is wrong and have a conversation about it, and why it’s wrong, because that is how we all grow, that is how we can truly evolve. Not by trying to ignore the past, trying to pretend some things never happened, as that offends us.

Sorry, this turned into something slightly else than a review, but, I believe there is nothing much I can say about Trading Places that hasn’t been said already. This comedy is as close to being perfect as possible and if you can get over the fact it was shot in the 80’s, where people thought certain things were more acceptable, you will have a blast watching this. True classic.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Abominable (2019) Review – Formula Done Right

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If you have been reading my blog for a bit (and I can’t thank you enough if you had, really appreciate it) you’d know that I often use phrases such as “as average as it get’s”, “perfectly predictable” or something along these lines. Abominable could be summed up in three words I have used to name this review “formula done right” and that sometimes can be enough.

Let me start with the animation style. I know it’s like bringing alcohol to a pub, but every year, the animation gets better and better. Sure, we don’t see such a big jump like we used to, even though the technology is still evolving, but not to a degree we would be stunned the way we’ve seen animated movies of the past. But this movie still looks beautiful and especially the nature scenes in the middle/end portion of the movie. Some sequences are simply charming, same goes for the characters.

The story is… as average as it gets. Honestly, if you have ever seen an animated movie, you won’t be surprised by anything, as I feel like now we have reached a point, where we need to stop relying on those same clutches (one parent who’s dead, but they had a plan with their child, and the child will stop at anything to honour the plan) we’ve seen a lot in this genre. Nevertheless, the voice cast is great, animation is stunning, so I will let this slide, especially when it is more of “feel good” movie, that doesn’t take itself too seriously, which is always nice.

Only thing I can’t think of improving, would be the actual villain of the story, as it wasn’t menacing, or even memorable, to be perfectly honest. There seems to be a thing lately, where all the animated movies of past couple of years don’t have great villains. It’s almost like the studios started to believe they can’t scare kids anymore. Really? I mean, I don’t think we need to traumatize them, but at the same time, memorable villain can lift up your movie, big time. Just couple of examples, Scar from The Lion King (1994) or Jafar from Aladdin (1992) are not over the top threating villains, but they don’t shy away from being villains and they can be menacing. And in both cases, they contributed to make those movies what they are, fondly remembered classics. I do also need to add one often overlooked animated movie, which I love, Anastasia (1997) and its movie villain, Rasputin, who has certain scenes that are threating, but again, nothing I would consider too dark. This “trend” needs to come back, as especially nowadays, young kind are more “mature” than ever before (I mean, plenty of 7 year old can use iPhone/iPads better than their parents).

That, in all honesty, was the thing I was missing from Abominable. Because overall, I really enjoyed this light-hearted movie, but there was nothing too memorable, and the villain was so non-threating, I don’t remember plenty of it a few weeks after. But I do remember thinking “if only this movie had a better, more impactful villain, this could’ve been on the next level.” And that is exactly what this movie is. It’s a lovely, fun, charming film, that is really easy to watch, but also to forget. The only reason my rating is still fairly high is the movie’s charm and stunning animation.

Rating: 4 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Underwater (2020) Review – Waste Of… Everything

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On paper, Underwater looks like a decent movie. It’s only 95 minutes long, happening in an environment that’s foreign to a lot of people, which lends itself to having almost a free range of ideas, where you might even alter some “rules” as to what might happen under such a pressure, deep, underneath the ocean.

Well, this movie took a different path of… not doing anything interesting, shooting everything in total darkness and having the editor consume 16 cups of coffee a day, as that editing was… something else. Let’s break each of these points down, shall we…?

First of all, the story couldn’t be any simpler. Which it’s not an issue, plenty of great films have really simple premise. But what those movies have Underwater doesn’t have are characters! You can have the simplest of stories, if you give us something (or somebody) to root for! I challenge anyone who had seen this movie, name me 3 characters and tell me something about them… Exactly, I have seen this movie yesterday and literally can’t remember Kristen Stewart‘s character name and the only interesting (character) thing about her was she had a dog…? That’s another thing, before you even get a chance to meet some of these, boom, they are dead. And if they don’t happen to die, you still don’t know much about them to root for them.

The darkness element is definitely not just this movie, so I will (try) to go easy here, as it’s unfortunately, the trend of last 10 years or so. It’s almost like there was a meeting we, mere peasants, didn’t know about, where there was established that any newer horror/thriller movie NEEDS to be shot in the dark, so you can’t see anything. It’s incredible, how the times have changed. I have recently re-watched the original Halloween (1978, review coming soon) and realised that even though the main action is happening at night, I never got lost, didn’t have to squint my eyes, trying to distinguish shapes on my screen… and on the budget of $80 million dollars (WHAT?! How was this movie anywhere close to $20 million…?!) I would expect to actually see what’s happening on the screen. This movie doesn’t look like $80 million movie, I am so sorry, but how…? I can’t get over it. Just for a comparison, Arrival (2016) much better movie, in every way, shape, form, dimension, looks more like $80 million movie, but it “only” costed around $47 million!! I really hope Kristen got payed well.

The editing… Look, plenty of people are making fun of Marvel movies being chopped to bits, and yes, that would be their biggest flaw. But compared to Underwater, any Marvel movie looks like it was shot by zombie Sergio Leone as that’s literally day and night. I swear there were sequences literally every second had a cut. I usually don’t notice editing, unless it’s great, or really, really bad. And this unfortunately was the latter.

What makes me the angriest is I could still see a decent movie with the same exact cast, story (well, tweak it a bit, so it’s not exactly exact) if only somebody more capable was behind the camera. Somebody like Drew Goddard, or even better, Ridley Scott as the potential is here, the cast is solid, the setting lends itself to pretty much anything. The wasted potential is always the worst offender. What could have been…

I think that sums up Underwater – wasted cast, wasted potential, no characters, and don’t even get me started on the “aliens”, more precisely on how generic/non-threatening they looked. I there was a competition to design “the most average looking alien you can think of” and then they’ve used the person’s design, who ended up third, that’s how average they looked. And who/what are they? What motivates them? Are they aliens or are they creatures from the earth? Well, fuck you for asking questions like these, the film won’t tell you. I am having a hard time to recommend this movie to anybody, even if you are the most hardcore Kristen Stewart’s fan, this movie you might want to skip. And yes, I am still mad about the $80 million budget…

Rating: 1.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Footloose (1984) Review – As 80’s As It Gets

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Have you ever wanted to see a movie, that is so 80’s, it’s almost offensive? Well, look no further, as Footloose it’s exactly that! It’s got everything! Dancing, montages, teenagers, fashion, hairstyles, kick ass songs that are somehow great within the movie and outdated outside of it, and on top of it all, there is really, really young Kevin Bacon.

The main crux of this story is quite simple. Kevin Bacon’s family moves into the town that for reasons, banned dancing (which according to the IMDb’s trivia section, was loosely inspired by true events, where small town in Oklahoma banned dancing until teenagers challenged it) and of course, that is the only thing this teenage sensation wants to do. So he get’s together with bunch of local kids and rebels against the system. And… that’s pretty much it.

And to be honest, sometimes, that is enough. Footloose might not be a cinematic landmark, that will be celebrated for its challenging views and deep philosophical discussions, but as far as entertainment value, it holds your attention for most of the time, and it didn’t age as badly as some others 80’s comedies. Plus, the songs are catchy, and the movie does transport you to the simpler times of when you were a teenager, trying to make your mark on the world, trying to go against the system, to stand for something.

What works in this movie is the hero (already mentioned Kevin Bacon) and the “villain” John Lithgow as he’s not just some two dimensional character. You can actually see and understand his motivation (his son died in a car accident, where he was killed by bunch of drunk teenagers) even though he’s going slightly overboard, you can understand where he is coming from. Also his final “revelation” was I thought believable enough, as it didn’t seem forced.

Only thing that goes against this movie in my mind is that there is no standout, no one scene that would stick with you. It’s been a couple of weeks since I watched this movie for the very first time, and I am going to be honest with you, except the main plotline, young Kevin Bacon and the fact that this movie was so 80’s it puts anything else from that decade to shame, I can’t recall anything else. That is why my rating is what it is, but who knows? Maybe one day, I will re-watch it and discover something else, something I have missed, but it is possible, that Footloose is just a movie, where baby faced Kevin Bacon really wants to dance. And to reiterate, that might be enough.

Rating: 3.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

The Skin I Live In (2011) Review – Disturbingly Great

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There are filmmakers who make great movies, that are not for everyone. For me, David Lynch is the perfect example of an artist, whose work is not easy to recommend to the “normal” audience, even though he is one of my favourite directors of all time. But even his movies pale in comparison to some of Pedro Almodóvar‘s work. That is why I like him too (can’t say love him, as I still haven’t seen as many of his movies as I would have liked). The Skin I Live In (in original La piel que habito) is yet another example of twisted brilliance, I desperately want to recommend to everybody, but at the same time, I can’t, as I fear some people would just stop talking to me after watching it, fearing for their safety. 🙂

Which is fair I guess, as this movie is… unique? Even that word doesn’t do this film justice. What I loved about this movie were the slow reveals of the necessary information. If this was an American film, there might have been a narrator, there would have been the awkward dialogue like “Of course, Mother, because that is how I always address you” to make sure everybody understands who is who, and what is happening. I think that is the main difference between American x European cinema, as plenty of European filmmakers give you information as the movie goes, trusting the audience and their intelligence. This movie is no different. Every time you think “I see where this is going now”, the movie makes a different turn, making you either really invested into the story, or really frustrated. Luckily, I was in the first group.

I love when movies treat you with some respect, allow you to guess, but at the same time, provide you with some answers, so you can put everything together, piece by piece. In this case, it is literally piece by piece… without going into spoilers, I can’t say more and for this review, I won’t go there, as I would love for you to watch it without knowing anything about it. Because this movie takes you places. And sure, plenty of them are uncomfortable, but to me, that is why I love unorthodox filmmakers/art.

Especially lately I subscribe to a theory that good art should shake you up a bit, make you think, show you something that might be slightly unsettling, on the edge or just slightly over the edge of what some might call a “good taste”. Why? Because art should evoke emotions. But nowadays, people seem to shy away from anything too… negative. Nobody wants to “make waves”, everything feels the same, sterilised. And I am not saying art needs to be just negative things about bad people doing horrible things, of course not. But just because a movie displays something, that is wrong, outrageous or on the edge of “good taste” (whatever that means) that doesn’t mean that the artist(s) like that bad thing. Or that people who like that type of art, like it because of that element. Plenty of times people gravitate towards something different because they want to be exposed to something they wouldn’t have been exposed to otherwise. That in return might start conversation about certain topics, that otherwise would stay off the table.

And I think this is what Almodóvar is doing here. He’s bored of normality, things being the same, he challenges the world. He’s forcing us to have a conversations about topics, we probably wouldn’t have. Like in this example – where is the line between good and evil? Does one horrible act justify another one? Is there such a thing as morality, or is that just set of rules we force upon ourselves? What makes human? Is that the skin they live in, or is it a soul? If it’s the soul, can you destroy it…?

The Skin I Live In is definitely one of the best movies I have seen in a long time. It’s really strange to say I would highly recommend it, given it will make some people really uncomfortable, but I honestly would recommend it, as it’s not something you see everyday, that’s for sure. It also makes you think, treats the audience with respect and showcases talent of Antonio Banderas and Elena Anaya who were both magnificent. This was a wake up call, that I do need to watch more of Pedro’s movies, as even some of his films I didn’t love as much are still worth seeing. Again, when somebody has such a unique vision, they tend make unique art. Sometimes, that art misses you. And sometimes, it hits you in a way you’ve never expected.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Just Like Heaven (2005) Review – Funny, Charming, What Else to Wish For?

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I always say I don’t mind watching any movie genre, as long as the story is good. But, there might be an exception to the rule, as there always is. The romantic comedies, or rom-coms, if you wish. I tend not to watch plenty of those, as… they are all kind of the same. Sure, you have a good/great one every once in a while, but for most of the time, you would usually get served a mediocre movie, that doesn’t offend you in any way, shape or form, but you won’t really remember it in a few day time. That is why I treasure the ones that manage to stand out, or supersede expectations. Just Like Heaven did that for me.

I think any rom-com lives or dies on two things – story and chemistry between the main couple. The story is usually various degrees of the same old same old, so most of those comedies are half dead from the start, so if the chemistry isn’t there, you know you are not in for a treat. I think Just Like Heaven succeeds on both levels. The story isn’t groundbreaking by any means, but you can tell it’s at least trying to do something, that we haven’t seen a lot and as far as the chemistry part, Reese Witherspoon and Mark Ruffalo have got it. You believe them every stage of their relationship (from the mandatory resentment to falling in love towards the end) you can see how these two would end up together. Plus, both of them play their roles really well and in a relaxed manner. The movie feels really natural, there is a sincerity about it and that definitely helps to sell the story.

Speaking of story, I did appreciate the movie trying to tinker with something new(ish), where the main character (Reese) is haunting Mark’s character, as she might (or might not) be dead. Since it’s a rom-com (and also the fact it’s over 15 years old) you probably guess rightly she isn’t, she’s “just” in a deep coma. That is my only “criticism” of this movie – I wish the reveal would happen slightly later in the movie. I feel like the story could have turned into a bit more goofy detective story, trying to figure out what is happening with Reese, maybe utilising more Jon Heder‘s character, as he played the “dude, who actually knows his shit” persona well. The most intriguing part of the movie is figuring out what is the deal with Reese, why only Mark’s character can see/interact with her and I felt this could have been more of surprise, but again, it’s only a minor criticism.

What I also loved about this film is it doesn’t feel too sugary. Sure, does it have its sweet/tender moments? Absolutely. Do they feel as sweet and cheesy as plethora of other rom-coms from the past 20 years or so? Fortunately, no. I don’t know, whether it’s something about having two very capable actors in the lead roles, but even though the movie is sweet, romantic, and all that good stuff, it never goes overboard. It never goes where the other, (below) mediocre movies would go.

Overall, I can strongly recommend Just Like Heaven as I was pleasantly surprised upon my re-watch to find out it’s still a really nice, lighthearted rom-com, that is not only bearable, it’s enjoyable. It’s so enjoyable in fact, that in a couple of years, I would not mind re-watching it again. And that is a sentence I can’t write about plenty of other movies in this genre.

Rating: 4.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Night Hunter (2018) Review – Decent Start, Clunky Finish

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Before getting into this review, I need to admit something – I am just a normal guy and as such, I have a weak spot for beautiful women, that are unique. And one of the most uniquely beautiful women of the last decade for me was (and still is) Alexandra Daddario. And yes, as plenty of other men, I have discovered her through her role on the first season of True Detective (2013) for… reasons. But the longer I was watching her throughout the years, plenty of other movies and pictures, it’s not just her body, but the eyes! They are out of this universe, I just can’t describe how hypnotising she is to me. That is how Night Hunter became a movie I had to see. Didn’t know, who else was in it, didn’t know, what it is about, I purely watched it because of Alexandra.

Let me tell you… what a CAST! On top of the already mentioned Alexandra, this movie stars Henry Cavill, Ben Kingsley, Stanley Tucci, Nathan Fillion and Minka Kelly! At this point, I was honestly gobsmacked, as I thought “how come I have never heard of this movie, with such a stunning cast?!” There is a reason for it though, and it’s exactly the one you are probably thinking of… the movie is not that great.

Night Hunter wants to be part The Silence of the Lambs (1991, my review here) and part Se7en (1995), but it’s not. Which is a shame, as the the movie has a pretty good start, but the more you watch it, the more boring it gets. Then, there is a plot twist, that has been used bunch of times before, but fair enough, it did work for this story. And then, the last 20 minutes happen, where any logic goes out of the window. I mean, seriously. I can get over some leaps in logic, but sometimes, movie, that wants to be darker, does something, that just taints the experience.

Beware, SPOILERS are coming!

The final showdown is happening on a lake, where the twin brothers (what a twist, as M. Night Shyamalan would say) kidnapped Alexandra’s character and Eliana Jones‘s character. Ok, fair enough. The “not so Superman” Henry Cavill comes, drops his weapon (a slight stretch, but ok) then his co-worker, another police woman has her gun pointed at the main bad guy from the BEHIND, (aka he doesn’t know about her) but, she doesn’t take the shot! She gets herself shot instead (THE FUCK?!) by the main bad guy and honestly, just because of her stupidity alone, I couldn’t feel any sympathy towards her at all. I understand it’s just a movie, but come on, you have a clear shot on somebody, who’s aiming a gun on your co-worker!

Also, the movie starts quite dark, where you think there might be something, just for it to kind of fizzle out. There is no sense of any danger, anything that would seep through the movie. It just feels really “meh” after the first 15 minutes or so. That is the main problem with Night Hunter. This movie should have been at least watchable, especially with such a killer cast, but it turned into pretty bland, mediocre movie that you won’t remember a few weeks from now. Only thing I will remember is Alex’s (based on her Twitter bio, we can call her Alex) eyes, and… I mean, they are astonishing, but given her character did get only one or two scenes, where she could shine, it isn’t enough. I almost wish the twist would be for her to be the villain somehow, as I would love for somebody to give her a big, meaty role, she could use to showcase that she’s much more than body and those mesmerising eyes. Maybe one day…

Rating: 2.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke