Tag Archives: 5*

Five star rating.

Sunset Blvd. (1950) Review – Simply Timeless

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There are movies that don’t age at all, at least when comes to the story and its themes, and Sunset Blvd. is one of them. You can read this movie in two different ways – on one hand, it’s dealing with stars of the “silent area” not being in the demand anymore, on the other, it’s also dealing with the idea of age (mainly for women) in Hollywood and how one day, you are at the top of hill, just for you to end up down at the bottom the very next day, with little to no warning.

And in 70 years since this movie’s release, not much has changed. We still hear actresses of “certain” age groups complaining, how this system is still very much in place, because in Hollywood, once you hit a certain age, you are no longer commercial, you can’t be sexy, audience knows you so well they are bored with you… at least that’s what they tell you.

Sunset Blvd. is also commentary on a few another things – how women back then (and maybe even now?) needed to have a man in their corner to get something done, even though they might be more talented than the man in their corner. It’s also asking us to consider something, that’s universal – how much is your life/soul worth? Would you “sell” yourself for living in a golden cage, being taken care of, but you’d still be trapped? Is there a price on person’s dignity? These are all universal themes that have been explored numerous times since 1950, but it only shows how much ahead of its time this film truly was.

I really liked that the movie explores the dignity part so well, by showing us two different angles to this – on one hand, we have the young writer, who doesn’t mind the money, but he knows this isn’t for him. On the opposite side we have the butler/ex-husband, who’s devoted his life to his ex (now boss) and who’s trying to make her feel like she’s not forgotten and she’s still in demand, wanting to help her, not realising it’s the worst he can do for her. He’s already “sold” his soul to her, even though he can’t see it.

I’ve forgotten how much “meat” is in this movie, as in today’s pop-culture, Sunset Blvd. is mostly remembered for the body in the pool opening scene, the narration and Gloria Swanson‘s performance and a few iconic lines (“I *am* big. It’s the *pictures* that got small.” or “All right, Mr. DeMille, I’m ready for my close-up.”) But what I don’t hear discussed as much is how much there is to chew on in this film. So many different themes, so many different topics, all covered (especially for that period) really well.

If you haven’t seen this in a while, I’d highly recommend a re-watch and I think you’ll find that the movie aged really well and even though it’s been 70 years since its original release, it’s as relevant now as it was back then. There are still people who are more than willing to be trapped in a golden cage, so they don’t have to work day in their lives and there are still people, who overestimate, how famous (or how much influence) they actually have.

Rating: 5 out of 5.

That’s for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Bob’s Burgers Review (Seasons 1 – 10) – Quirky, Funny and with Heart

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When you see any promotional materials for Bob’s Burgers, such as posters or trailers, you might think – why? Do we need yet another cartoon family? What is so different about this family? Well, the quick answer to that would be – pretty much everything. And that is what makes it unique.

Bob’s Burgers is a really nicely animated. There is something about their style of animation, that just looks great, but also not too perfect…? I am by no means implying the animators are not doing their job properly, quite the opposite! Their style to me is great looking animation, and that little touch of not being too “polished” or “perfect” is what makes this show unique from the visual point of view. Plus, they let bunch of animators/fans animate entire episode and that’s something I’ve never seen before (it’s first episode of season 8).

I can name three things that make this show so unique from any animated family show that’s currently out there – voice acting, humour and the family dynamic. Let’s break them down, shall we…?

What makes the voice acting standout from other animated shows, is out of the five main family members, two women characters (Tina and Linda) are both voiced by different men. You could say those men are taking their jooooobs… (reference here) and you’d be right, but also that makes both of them not only unique, but somehow more interesting, as you’d expect different voices coming out of those characters. It genuinely works and it’s not even distracting, so after a while, it’s completely natural to you that those two characters sound like that. Plus, H. Jon Benjamin isn’t praised enough (not only for this show, but for his work on Archer (2009), his voice is truly great) Eugene Mirman‘s Gene is a great character with plenty of unexpected one liners (Bob: “Wait, maybe you shouldn’t know too much going in, I think it’ll be better that way.” Gene: “Like the Iraq war.”) and Kristen Schaal has the hardest job in this entire cast – Louise shouldn’t be as great/likeable as she makes her to be. But Kristen found a way to make Louise not only a great (even though slightly mean) character, but also a relatable one with great sense for a dark humour. That brings me to me next point…

The humour in this show is really sneaky. What I mean by this is plenty of time the jokes are not something that would have you laughing all the time, or where the show would try to cram as many jokes into one minute as possible. This show relies more on a delivery of those jokes and plenty of puns. So many of jokes sneak up on you, unexpectedly, mainly from Gene. What also helps is every character has a different sense of humour – Bob’s more into puns, Tina’s into innuendos and inappropriate, mumbling jokes, Louise is the queen of sarcasm… every family member has something else to offer, they compliment each other really well and that… leads nicely to my final point as to why Bob’s Burgers is different from any other animated TV show.

I really appreciate that no matter what happens, the family comes first and they feel like they care about each other. They never cross any lines and if they do, just slightly, they know they have done something wrong, and will apologise. Plus, it’s refreshing to see a family where:

  1. Parents are encouraging their children and loving them unconditionally no matter what. No matter what they say or do, Bob or Linda always say something to the extent “That’s great honey, as long as you want to do it, we will be here and cheering for you.” and I’d like to think people will get some inspiration from this.
  2. They are truly equal, in a sense that there is no “lovable idiot” (and let’s face it, when comes to animated TV shows, it’s usually the dad). This is what makes the Belcher (or as Teddy would say Burger) family truly unique, they are all clever in certain aspects and where they struggle, their spouse will help them out and other way around. Bob has his genius moments, and his dumb moments, same as Linda. This took me a while to realise, as I’m so used to the formula “dad is dumb, but lovable, mum is the clever one” that I didn’t know what it was that felt truly different about this show, until I’ve realised that.

This is why I’ve fallen for Bob’s Burgers. The best word to describe this show is unique, as there is almost nothing “normal” about any of them, they all have their little quirks you won’t find anyplace else, but that’s why you will fall in love with all of them. Even if there are episodes that are centred around a specific character (and they each do get a couple of episodes like that throughout the 10 seasons so far) you will never go “Oh, this is Louise centred episode, that will be boring”, as any of the 5 main characters bring something different to the table. I can’t wait for 11th season and the movie!

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Rear Window (1954) Review – A True Masterpiece

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There are only a handful of movies I’d call a masterpiece. To me, that word means something, that can’t be changed, tweaked, improved on by any means, as that would temper with something else and might destroy the entirety of whatever you’re trying to temper with (a movie, a book, an album…) Rear Window is without a shadow of a doubt (see what I did there? Ok, I’ll see myself out now :-)) a true masterpiece, where everything is crafted to a perfection.

I’ve recently re-watched it for a third time, and I was still amazed how much this “simple” story structure (a man who broke his leg, so now he needs to stay home, before the internet and TV and needs to find a way to occupy his time) covers, as it’s not just about James Stewart being in a wheelchair. We get to see and experience plenty of other stories throughout his binoculars. And as boring as it might seem, it’s actually fascinating, when you have somebody like Alfred Hitchcock behind the camera, who makes you fall in love with most of these quirky characters. And this might seem trivial, but it’s not, as that gives this movie the extra flourish, where every time we might get “bored” with the main story line, we jump to see what this neighbour is up to, or this one…

Of course, the main story is about whether there was a murder or not. And the brilliance of this movie is the built up towards the last scene. Hitchcock perfectly crafts the field, the rules of this film, and slowly guides you towards the end, where for it to make sense, you need to believe that Stewart’s character isn’t just a bored man with a set of binoculars and that his neighbour might actually be more sinister that he seems.

While re-watching this movie, I’ve noticed something, which might be considered a bit forward thinking – Grace Kelly is the hero of this movie and the “moving” piece. Think about it – yes, Stewart’s character was the one to notice there might have been something fishy going on, but everything practical that’s done in this movie, including the final “rescue” of our main protagonist, is only due to her. When I think about this now, this movie could very well be compared to a chess game – Hitchcock is the player, who moves every piece, and even though James Stewart is the “main figure” (King) of this movie, as anybody who’s ever played game of chess know, Queen is almost a key to any game. Can you win without her? Sure you can, but it’ll be much more difficult. This is Grace’s role here – she’s the Queen she was born to be… well, in a real life, she did become the Princess of Monaco, so close enough?

I do need to mention that even though today, most actresses are stunning, there was something about (especially) two stars from these years of 50/60’s – Audrey Hepburn and Grace Kelly – where I don’t know how to describe it. They almost seem out of this world, just the way they carry themselves, they speak, they look… In every scene in this movie, Grace Kelly wears something different, but she looks like she’s about to walk a fashion runway in Paris. No wonder she became a real-life princess, even though I wish we would’ve gotten her in more movies.

Rear Window is definitely in my TOP 3 of Alfred Hitchcock’s movies and you know, he’s got a few movies that are identically great, so it’s no small matter to rank his movies, trying to establish which classic is better than another one of his classics. But instead of mentioning the obvious ones, I’d want to give a quick shout out to the movie Rope (1948). “The” Hitchcock movie, that doesn’t get the credit it deserves.

If you haven’t seen this movie in some time, I’d highly recommend re-watching it, as this gets wrongly classed as “that Hitchcock movie about the bored guy with binoculars”. Not that this isn’t fairly accurate description, but there is just so much more to Rear Window than this. Mainly with the precise focus on other stories of the neighbours around our main character, where you can actually see resolution to them! That is what separates this from any other remake or movie, that borrowed an element of two from this film. That is what makes this film a masterpiece. That and Grace Kelly, the Queen.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

RuPaul’s Drag Race All Stars Review (Seasons 1 – 5) – Shantay, You… Are Here Again?!

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How I feel about RuPaul’s Drag Race I’ve covered here, so of course, now when I am fully on this RuPaul train, I do feel like I want to write a thing or two about All Stars, where the contestants, who got close, but not quite there (except maybe one exception) are given a second chance to shine, to show us whether they have changed (or not) since their original season, or how their drag evolved.

I can’t lie, I am loving this, maybe even more than the traditional Drag Race, as everything is taken to another level. After all, everybody in this competition knows exactly what they are signing up for (well, maybe with one or two exceptions, but no spoilers here) and most of the time, you end up pleasantly surprised about some queens who had time to work on themselves, their art and this show is the ideal platform for them to showcase it. And sometimes, you kind of confirm that some other queens would probably not be the most pleasant to be around.

My only two concerns about the future of this show would be:

  • The time in between this and some drag queens and their original seasons.
  • The time in between seasons in general.

Let me explain… sometimes, you can tell the producers are more than aware who is (or was) the fan favourite and they bring them “straight” from their regular season into the All Stars, which to me is a bit questionable. I honestly believe there should be a bigger gap between any drag queen’s season and their All Stars appearance, so they can learn a thing or two, develop themselves a bit more “out and about” (even though I do acknowledge in this COVID era it’s easier said than done) and maybe couple of years later they would get the invite. As Ru would say himself “a fan favourite All Star don’t make”, they should truly be the best of the bunch, who ended just before the finish line. That brings me to my other concern…

Seasons 2 – 5 were given to us in 4 consecutive years. And yes, most of the queens deserved to be there, but some (I am not going to name names) didn’t feel like they should have been there. Or maybe the better way to put this – I’d expect different drag queens instead of them. I know, this a matter of a personal taste, but given the season 5 now wrapped up and because of COVID I don’t think there will be any of the regular Drag Race or All Stars for some time (unless they already had something prior, with these show you never know). For a regular Drag Race, that hurts a bit, but for All Stars, I do believe this might be a good thing. I honestly think there should be a “buffer” of at least 2/3 seasons (AT LEAST) between any queen being eligible to appear on All Stars, so they’d not “run out” of actual interesting queens. The last thing we, as fans want, is for this competition to become a show, where eventually everybody got a second chance. It would be a nice idea, but it’d “cheapen” the All Stars effect.

But these two are my only “worries” for the future of All Stars. I really hope this show will continue delivering fun, interesting and most importantly entertaining content, I can definitely see some queens from season 11 and almost every queen from season 12 (that honestly was a really strong season) coming back. But I wouldn’t want to repeat the mistake of having plethora of queens from the same season back in the same All Star season, as that might result in a bit unfair elimination (cough, All Stars season 2, cough, the Ro-Laska-Tox covering each other’s backs, COUGH COUGH). It’d be great if the seasons were more evenly spread to prevent this drama/alliances that undermines the effort and entertainment value of this otherwise enjoyable show.

Overall, if you like/love the RuPaul’s Drag Race, the chances are you will also like/love this show, as so far they have (mostly) done it correctly when comes to who comes back and gets a second chance. And it’s still the kind of fun I am not ashamed to have.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think of it? Let me know!

Until next time,

Luke

The Silence of the Lambs (1991) Review – Chillingly Flawless

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Until very recently, I’ve only seen this movie once, and it was at the time I’ve started to watch movies “more seriously”, so about 15 or so years ago. And even though I remember loving this brilliant film, you do forget a thing or two, so I’ve decided to re-watch it, just to refresh my memory and to see how this movie compares with today’s films. The answer is, it not only compares, but it’s still above… well, all of the movies of this genre.

The Silence of the Lambs succeeds even today, because it relies on good old fashioned suspension, that gradually (and more importantly naturally) builds up throughout the movie, so by the end, what is now the (in)famous night vision scene, you truly are on the edge of your seat, as you can almost feel danger lurking anywhere. It doesn’t rely on cheap jump scares (I don’t think there is one!) or over-complicated plot.

Another piece of this great puzzle must be the characters – this movie was so ahead of its time it’s fair to call it genius. Only now I’ve realised how several key scenes with Jodie Foster are clearly making a statement about woman being in that line of profession, how she’s almost always surrounded by guys, who because of her stature (short, slim) don’t take her too seriously, so in order for her to be heard, or to taken seriously, she must be better and tougher than most of them. Or how Anthony Hopkins inspired most of the “serial killers” nowadays, where they are almost always this all knowing entity, who’s always a few steps ahead of everybody, enjoys classical music and if you underestimate him once, if you slip up just by a tiny bit, he’ll take it and make that into an advantage for him.

There is another piece of why this movie still holds up as well and that’s the craft behind it. Jonathan Demme made sure most of the dialogues are almost always centred on the camera, so we feel more involved with everything. Because of it, we feel like Clarice is talking to us, or that Hannibal is looking right through us and thinking about what would we taste like (you’re welcome for that visual, btw). Also, and I might be wrong here, but I do believe this was one of the first mainstream movies to use the editing as a part of misdirection, when comes to what’s happening where. To be specific without going into spoilers, towards the end of this movie, we are following a SWAT (I believe they are SWAT?) team, who are about to break into what they believe is Buffalo Bill’s house, only to discover it’s not it. And the way that sequence is edited together… now, it’s almost a staple of any crime TV show, but I do believe (and again, don’t quote me on this) that this might be one of the first instances of this clever misdirection.

Yet another point – we tend to forget how much this movie influenced our pop culture. Not only we all know a few quotes from this movie, but if you think about it, how many TV shows from 2000’s onward, are really heavily focused on twisted, dark serial killers doing god knows what to their victims? How many movies and TV shows used the “let’s talk to this bad/evil/psychotic person in prison/mental institute in hope they’d help us solve this case we are not able to crack ourselves” aspect? Too many to count, name or write about. I’m not saying there were all influence JUST by this movie, all I am saying it if it wasn’t for this movie, we might not have a few tropes we know now.

The Silence of the Lambs is a true classic of its genre, who properly kick started careers of both Jodie Foster and Anthony Hopkins (I know both had careers prior, but this was definitely breakthrough) and established how well can story like this be told, without relying on cheap jump scares, CGI or anything else.

In conclusion, I will only say this – there are only 3 movies in the entire Oscar history, that have managed to win the “top” Oscar awards – Best Picture, Best Director, Best Actor/Actress (Lead) and Best Screenplay. It Happened One Night (1934) and One Flew Over the Cuckoo’s Nest (1975) were the only 2 movies, until The Silence of the Lambs joined them. Ever since then, no movie has managed to do it. I do sometimes wonder, whether we will ever get a movie, that would join these 3, as all of them are masterpieces in their own right. If you are one of the few people who still haven’t watched this movie, don’t wait and run to watch it.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

RuPaul’s Drag Race Review (Seasons 1 – 12) – Shantay, You Stay!

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This is the very first time I’m reviewing a reality TV show, rather than a traditional, narrative TV show. And RuPaul’s Drag Race is the pinnacle of reality TV – every season, we get 12 (give or take) new “queens”, who compete in various challenges for a title of the new drag superstar. And believe me, you’ll have a lot of fun along the way.

I do need to warn you a bit – the very first season is known for having… let’s just say a very brave choice of camera filter…? Luckily, they have quickly realised it wasn’t the wisest choice, so you can actually see a bit better (and more clearly) from the season 2 onward.

What makes RuPaul’s Drag Race different from any other reality TV show, is it knows exactly what it is and isn’t afraid to showcase it. The drag queens can be anything from nice, fishy (meaning looking as much as a woman as possible) bitchy, feisty, manipulative… and the list goes on and on. But you can bet one thing – they are never boring doing it. Also, more episodes you watch, the more you realise how much talent these queens need to have. Consider this, the challenges vary from singing, making their dresses (plenty of times from none traditional materials), having their make-up on point, being able to move/dance for the lip syncs, and more… And at that point, you truly find an admiration for them, as being a drag queen isn’t easy, if you give it your all. And most of these queens sure give it.

Over the past couple of months I’ve been watching this reality TV show, I was always looking forward to it, even though given the reality TV show nature of it, as the seasons went on, they tend to go more for the “sob stories”, that sure pull your heart strings every so often, and you can tell that sometimes, there is a drama for a sake of having one. But, as of the last season, this show has managed to “stay” in more interesting territory (the art/hard work that goes into the drag) and didn’t focus on any particular drama too much. And therefore RuPaul’s Drag Race was a fun escape into a world I, as a straight white male, have known nothing about. But that doesn’t mean I can’t have fun watching it.

What I admired with the season 12 was the way how they had to deal with not only COVID-19 (the finale was online, but somehow it worked) but also with the fact one of the queens had catfished some people (article here) and they managed to basically cut around her, showing as little of her as possible, while still giving us all the necessary information. As that story broke only a few days before that season premiered, it must have been hard mainly for the editors to go back to their material and re-do most of their work, but my hat is off, as they’ve managed.

RuPaul’s Drag Race is almost like a weird mix of candy corn, bubble gum, bunch of padding and make-up, that shouldn’t work as well as it does. But somehow, it pulls you into a world most of us doesn’t have a slightest idea about and manages to capture our attention for its entire length. I for one am hoping that it will last for a few more seasons, so we can get some more memorable queens who can give us more unforgettable moments, lip syncs for their life (did I mention that’s how RuPaul establishes who stays, or shantays, and who goes home, or sashays away, by (usually) 2 queens lip syncing for their life)? I remember the very first time seeing that, I was just confused about this whole situation, but once you see some proper lip syncs, you understand that it is an art, to be a great lip syncer. I would write something like “this is my guilty pleasure”, except I don’t feel guilty watching it.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

How I Met Your Mother Review (Seasons 1 – 9) – Let’s Talk About the Ending, Shall We?

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I remember starting this TV show back in 2008, when it was in its third season, arguably its peak, where every joke landed, the story line was really interesting and I really enjoyed the concept of the show, no matter how nonsensical it was (honestly, what dad would tell their kids these stories?). This was my happy place… basically until it ended.

And I know this is fairly controversial opinion to have, but even though the quality did drop a bit over the last couple of seasons, I still enjoyed it and… I did like the finale. Had to think about it at first, because it did take me by surprise, but more I thought about it, more I liked it. Of course, it is impossible to talk about THE most disappointing finale of all time (well, until Dexter or Game of Thrones came around, is that fair to say…?) without going into the spoiler territory, so…

Beware, SPOILERS are coming!

I honestly do understand where plenty of fans were and still are coming from, not liking the way this show ended. I mean, what TV show would put you through 9 seasons, where the concept is about how somebody met their wife/someone’s mother, but we not only don’t get to spend plenty of time with her, but once Ted finally meets her, it doesn’t take too long and she dies! I remember watching that for the first (and so far, only time, but I am planning on re-watching it at some point) and being shocked by that too. And for the first couple of minutes, right after that final episode, I was as most fans still are, mad. Why would they do that? Why waste time on something that doesn’t pay off? And of course, we all could’ve seen him and Robin were destined for each other!

But then I slowly started to realise something – How I Met Your Mother was always about approaching sitcom tropes from slightly different angle. They have often played around with unreliable narrator and most of the time it was funny, they didn’t even shy away from some sad moments (Marshal’s dad dying). So of course, we should’ve seen some curve ball thrown our way. But this is not the main thing.

The thing that made this show so great, was the fact they weren’t shy to get real. And what’s more real that sometimes, even if you meet the girl of your dreams, she might die sooner than you think? That the person you were supposed to be with, was close to you the entire time, but you both had to wait some time, go through different situations, partners etc., before you both are at the same place, where because of your past experiences, you see now what do you actually want/need? Black Mirror made this idea into one of the best episodes of that show, Hang the DJ, which I can’t recommend enough, as it illustrates what I am talking about in a really great length. Yes, we could’ve seen Robin was the right person for him, but there was a reason they didn’t stay together the first time they got together, they both had some growth to do and had to go through life “separately”, facing different situations, to realise what they want.

Like it or not, that’s life and sometimes, even if you plan everything and do every single thing 100% correctly, you might still fail, or lose the person you love the most and it might not even be your fault. Once I’ve realised this, I appreciated this TV show even more and that is why I want to re-watch it. Also, people nowadays tend to forget one thing – it’s not the destination that matters, it’s the journey. And this is how I feel towards this TV show or above mentioned Game of Thrones finale – just because you didn’t like that final episode/season, or it didn’t fulfil your every desire, it doesn’t mean the entire thing wasn’t worth it. But we are so “goal oriented”, we often forget that.

How I Met Your Mother might not be perfect sitcom, sure, I’ll give you that. But it will always have a special place for me. This show is for me, what Friends is for a lot of people, which (unlike this show) I actually grew up on. But the more I grew up, the less I “liked” (I am using this really lightly, as I still like Friends, I just don’t *love* them as most people do) the show. Whereas with How I Met Your Mother, it’s kind of the opposite. More I remember this show and more I think about the ending, the more I appreciate it. I know plenty of people (if they ever end up reading this :-)) will have issues with this statement, but for me, the choice will always be a simple one. I will always choose How I Met Your Mother over Friends, no debate.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Rick and Morty Review (Seasons 1 – 4) – Dangerously Clever

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Rick and Morty is one of those shows, that became a bit hard to discuss and say you really like/enjoy, as some, and this is really important, only TINY, yet vocal minority of this show’s fans, give this masterpiece a really bad name, as they are just simply cringy. I don’t know who came up with this analogy, but somebody said “Those cringy fans believe they are Rick, but in reality, they are Jerry”. And I couldn’t agree more. So, hopefully we can move on, just wanted to address the fact I am aware of the “stereotype” of what some people believe are Rick and Morty fans, and let you know, most of us are pretty normal people, who won’t shout at you random stuff, or tell you how dumb you are if you don’t happen to enjoy this show.

This review is based on all 4 seasons of Rick and Morty, some spoilers might be involved.

Ok, before I address my only worry with the future of this show, let me just say I love it wholeheartedly. I find it fascinating, that somebody finally utilised the full potential of animation, and went crazy, balls to the walls fun, that at the same time, isn’t a mindless one. Where every episode tries to make a point, even though the characters, through their meta, fourth wall breaking kind of humour, usually laugh at the point to its face, and kind of laugh at us too…?

This show has answer for everything, they know exactly what the fans are expecting from them, and they’d rather wait couple of years working on a season, than releasing something, that’s not up to their standards. That’s why there are usually 2 year gaps between seasons, something that’s rare (I honestly can’t think of another narrative, none anthology TV show that would currently do that). And I do admire that, because that shows level of dedication and respect to the fans, where you don’t want to disappoint them. So kudos for that. But…

And this isn’t a big Nicki Minaj kind of but(t), but it’s worth mentioning – it’s also good to remember to have fun while creating it. What I mean by that, is the first two seasons are excellent, as most of them are singular episodes, that are funny, clever and work really well. The third and fourth seasons are also great, with some groundbreaking episodes, mainly the fourth season, some of the animation battle scenes, where each second, there are hundred things happening at once, are truly breathtaking. But some of the episodes are bit too self referential, some of them are too fourth wall breaking, where if you do just that, and stop focusing on the adventures… it could become a bit dull.

I will be the first one to say Rick and Morty is really, really cleverly written show, there is no doubt about that. And that’s the thing, fans won’t forget that. I honestly hope over the next couple of seasons, we will get more episodes like The Vat of Acid Episode, rather than Never Ricking Morty, where I understood what that episode was trying to do, but deconstructing the narrative structure might be funny for a short bit, but not for a full length episode. Because even the smartest thing ever will eventually bore you to the death, and you can understand it all you want, that doesn’t matter.

But that’s pretty much my only… it’s not even complaint, it’s just a slight worry about the future of this show. But I am sure the creators are capable enough to know what’s best for the show and how to maintain that standard, that’s quite high. I trust them, as even the “worst” episode (and I paradoxically think, the very first episode might be the weakest one) is still fun and there are plenty of things to get from it. I’m using the term worst really carefully, as even the pilot episode isn’t bad at all, it’s just not as great as what comes after it.

This is a definite recommend, where I once again need to make sure we are on the same page – ignore the (vocal minority) of annoying fans and give this show a chance, if you haven’t yet. I assure you, you won’t be bored, and you are in for a ride throughout the galaxy, and parallel universes and… everything in between.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke