Tag Archives: Not a Review

Sometimes an update, sometimes an essay.

Want to Listen to Me… Again?

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Hello movie friends,

It’s been a while, but yet again, I was a guest on Siftpop Writers’ Room podcast, where I got the chance to talk about ConstantineHalloween Ends and much much more with Aaron and Joe! If you fancy hearing us talk, follow this link and enjoy yourself. As always, it’s been a pleasure to talk movies with both of them; give them a follow on the links provided.

On an unrelated note, I am finally getting broadband installed in my new flat on Wednesday, so expect more reviews coming your way, and hopefully, I will be able to do more writing.

As always, I appreciate all your support. 🙂

Until next time,

Luke

Welcome to the Wasteland – Talking The Lost World with Shane Conto!

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Hello movie frieds,

It’s been a while since I have done something like this, so if you fancy watching me talk about The Lost World: Jurassic Park (1997) with Shane Conto (aka The Wasteland Reviewer, his Twitter can be found here), don’t hesitate and see it for yourself.

Welcome to the Wasteland Episode 82: The Lost World: Jurassic Park

As always, it’s been fun talking movies with someone as passionate as Shane and (kinda spoiler alert for the video?) because of this video, I rewatched The Lost World and realised it’s not as great as I thought. Having said that; it’s still the second-best Jurassic movie easily. Which says more about the franchise though… Anyways for more detailed thoughts about this film from Shane and me, watch the video, and I hope you enjoy it.

Thanks again, Shane, it’s always a blast!

Until next time,

Luke

General Update About Upcoming Reviews

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Hello movie friends,

It’s been a while since any general update, and a few things have been happening over the past couple of weeks, so I just thought I would communicate how things will go for the foreseeable future.

Due to “a bit” more travelling, purchasing my first flat ever (almost there, and I couldn’t be happier!), and life being busy, I have decided to reduce the number of reviews. It’s been almost two years since I started to deliver precisely three reviews a week, every Monday, Wednesday and Friday. And even though my reviews aren’t long by any stretch of the imagination, on average, it still takes me about an hour and a half to complete one review. That includes everything from looking for a decent poster to writing and proofreading the review. And especially lately, I have been struggling with time as my queue (read: finished reviews) does not exist.

You might be wondering: “Hold on, 90 minutes? The fuck?” Yeah, that is the average, give or take. What you have to remember is that even though I have been living in Scotland for 11 years now, I often have to stop and think about how to word myself; so people understand me, and sometimes that takes time. Yes, my English is pretty great (if I can say so myself); despite that, it is my second language. I believe I am improving in this (it used to take me roughly two hours, so yay!), but yeah, with everything that’s happening (holidays, flat purchase, which of course means moving, packing, cleaning the previous flat etc.) I need some time to “breathe” and build up some reasonable queue again.

So, from now on, I will post two reviews, one every Monday and the other every Thursday. The reason for Thursday instead of Friday or Wednesday is simple – trying to “space them up” for you, the reader(s).

I can’t say when I will be back to three reviews per week, but I hope it won’t take too long. There will be some other things coming soon, like talking to movie people and recording a podcast or two (one of those is already “in the can” ;-)), but for now, this is how it will be for some time. I hope you understand.

Rest assured, I am thankful for every single one of you. Whether you read one review or 100, I sincerely thank you for stopping by and taking the time from your day to read about my thoughts on movies. It means a lot to me. I still love writing about films, and I hope you enjoy reading them.

That’s all for now, so remember, every Monday and Thursday, you get new reviews! If you have any feedback or thoughts, comment below, hit me up on Twitter, write me a letter or send a pigeon; I haven’t received those in ages :-). But for now, I will say thanks again, and I hope you have a great day.

Until next time,

Luke

Michael Kenneth Williams – Gone Way Too Soon

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This is only the second time I am doing this – writing and posting something almost live. And both times, it was to honour someone who in my eyes, deserved it. But I can assure you I hate to write this because that means Michael K. Williams is truly gone. We won’t get to see his name pop up in new projects. We won’t get to see, what else he could have achieved.

I won’t be doing “this was his life, here are some facts, data, movies he was in”. No, plenty of others, more professional people (aka newspeople), have already written those articles, more eloquently than I could ever write. This is purely a place for me to channel and maybe share my frustration/pain. When I learned he passed away, I very audibly said: “The fuck, NO!” Because that was truly unexpected. And 54 years is way too young.

Like many, the very first time I got introduced to Michael K. Williams was in The Wire (2002 – 2008). I remember watching the show back in 2008/2009, I believe, and wondering: “Who is the guy with the scar, playing Omar?! How come I’ve never heard of him?” Yes, his Omar Little truly redefined “the game”, as if I am not mistaken, he was one of the first (possible SPOILER for The Wire ahead) characters, who was a gangster with morals, and yeah, also gay. I remember when we have learned that fact on the show, I was shocked for a bit. After all, it wasn’t that common to have gay characters in your projects, let alone have somebody who should be perceived as “tough” be gay (again, this was before 2010, very different times when comes to gay representation or definition of tough). But then, after thinking about it, it made sense. Because Omar Little was a complex character to the T, he was a gangster first, but he had code. He was never looking for a fight as in his mind, he was the king. And I honestly credit this knowledge about his character partially to the brilliant script, but mainly to Michael’s performance, which undoubtedly will live on forever.

After The Wire, I have started Boardwalk Empire (2010 – 2014) and was delighted to see him there as Chalky White. And even though he wasn’t given as much as “to do”, he still managed to make his character memorable. I think the previous sentence sums up not only Michael’s entire career but also my frustration, with him being gone way too soon. Let me explain.

Ever since The Wire, I have been paying closer attention to the opening credits. And every time the name “Michael K. Williams” (or his full name “Michael Kenneth Williams”) would appear, I was excited because I knew no matter how bad the movie might be, he is there. But he seemed to be “boxed in” to be always the supporting actor, never the leading one. Or at least, he did very little of leading roles. And I always hoped that the world would recognize his immense talent and get him some major project, where he wouldn’t just be known to people who watched a couple of TV shows. I always hoped he’d get a break in some major mainstream film, where he could possibly get nominated for some awards. And it never came. It’s truly a shame, as I guarantee you, there was nothing, Michael K. Williams couldn’t do.

What we should do (or at least what I will do) to honour this legend is to finally watch a TV show that’s been on my ever-growing list for ages. And yeah, you guessed it, it’s been on my list mainly because I’ve heard Michael is in it. It’s called The Night Of (2016), and I have only heard great things about it. But like many, I struggle with time, and my “to-watch” list consists of hundreds of movies and probably 100+ TV shows I have yet to watch. But I will get on this one as soon as I can. To remind me of this great actor again. And you should too. Without trying to sound like your annoying friend, if you haven’t seen The Wire yet, you definitely should, as not only Michael is superb in it, but the show is a true masterpiece.

All I have to say is rest in peace, Michael Kenneth Williams. You will be missed.

Luke

Streaming services are killing… streaming services…?

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Netflix. Amazon Prime. NowTV. Disney+. Mubi.

These are not just some random streaming giants and Mubi (sorry Mubi, I love you dearly, but you know… just, you need to be this tall to ride this ride, you know what I’m saying?) these are all streaming services I am currently paying for. It doesn’t seem that bad, right? I mean, with Amazon Prime you get prime delivery (well, after all this COVID-19 ends, so maybe next June?) with NowTV you get plenty of classic Hollywood movies and most of HBO‘s finest box sets, with Disney+ you get all the movies that will soon move from Netflix and NowTV because they are all owned by Disney now, so basically 75% of all the movies ever made will end up there, and with Mubi you get great independent/cult/under-seen movies so we are all good until now. And of course, we can’t forget the one responsible for this all – Netflix, where you can still get decent movies and TV shows, and some of their content is truly awesome (Orange Is the New Black just to name my favourite).

The problem is this – people want money. Which is not bad overall, I mean, we all want to eat, buy nice things, travel (I mean, remember travelling? Good times…) and all that jazz and that’s honestly fine. But it stops being fine when big organisations think they can replicate what Netflix or Amazon Prime has done, have one or two known/beloved IPs (intellectual properties) and want to “build” a streaming service around that. And this is where we get situations like “Oh, you want stream Friends? Sure, it’s on Netflix now, but come 2021, it won’t be and you will have to get.. HBO MAX..?” The link for the full story is here.

Unfortunately, this isn’t even the end, not by a long a shot. NBC will have its own streaming platform, pulling the beloved TV show The Office from Netflix or Amazon Prime, depends where you live. The entirety of UK has apparently decided “Oi mate, we want ourselves streaming service too, only for the British!” so the BritBox has been born. I honestly wish I was joking and yes, that name sounds more like a box match where only the purest British people are allowed to compete in for a title of the most British person that’s ever britished. And I know I’m missing hundreds others I don’t either know, or care about (sorry YouTube, literally nobody cares about YouTube Premium). And this creates a problem. The problem. To paraphrase the TV show Archer:

Except pirates, replace the word “ants” with “pirates”.

The main issue is with the content all spread out, where one service will only hold this one or two TV shows and the other will only hold this, your market will fall apart quicker Michael Jackson’s nose (honestly hope it’s not too soon for this joke). Because ordinary people, and I am not using this as an insult or to discredit an average person, don’t care about movies/TV shows enough to pay for 10+ streaming platforms. They’ll only pay for 2/3 maximum and the rest… well, in an ideal world, they’d legally purchase everything else they’d to watch through reliable services to make sure artists get their cut, but in a harsh reality of this life, where some people live from paycheck to paycheck, they become pirates and to the torrents they go.

For a while, it seemed like Netflix solved the piracy issue where it wasn’t even worth pirating something, as it gave people plenty of content (old and original), so they wouldn’t even think to pirate anything. And that is the main point what these newcomers don’t understand about Netflix and why it got so big. They weren’t building a streaming service on existing content, but they’ve invested a lot of money into their originals, doing that they had attracted Hollywood big shots and the rest is history. They weren’t relying on “Hey, you LOVE The Office right? Well come right along for a ride!”

The direct result of this will be, in couple of years we will see even more headlines like this one from last year (Piracy is back, link is here) where the author is making the same points I do (in unrelated news, please follow this blog for totally relevant and original think pieces like this one).

But it doesn’t matter how many different articles on this topic will be written – here’s what’s going to (probably) happen in a couple of years:

  • We will see a service or two that will “bundle-up” the streaming services you want for a slightly better price than paying for them individually (welcome to the cable for 21st century, yay!)
  • Plenty of these streaming services will eventually fail, to the surprise of no one except the people who thought it’d be cool to have a streaming service based on a few existing IPs.
  • Artists will complain about piracy rising.
  • Industry people who approved this will be like “new phone, who dis?”
  • Industry will blame the normal consumer for being spoiled and wanting everything instantly.
  • Only the giants survive, where they can (hopefully) buy back the content that once had been taken from them.

Or maybe not, and all of these streaming services will make millions of dollars/pounds/euros and I’ll look like an idiot who doesn’t know what he’s talking about. That is also possible. Unfortunately this is the kind of topic where only time will tell.

Also, BritBox is really stupid name. I feel like we’ve just accepted it, because UK’s been having some difficulties lately (Brexit anybody?) but honestly… no.

What do you think? Which streaming services are you paying for? Let me know!

Until next time,

Luke

We live in golden age of TV and here’s why

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Yeah, I know I know I know – just saying this sentence feels as “surprising” as Daniel Day-Lewis winning yet another Oscar (honestly wonder whether he’s truly retired, or if he’s coming back…?) or Meryl Streep getting yet another Oscar nomination (who’s even counting at this point, honestly? Just always presume if Meryl had a movie out during a year, she’s getting nominated the year after, your life will become much simpler and in a weird way, it will make more sense).

But I feel like sometimes when people discuss this they focus on certain points and the way I’m thinking about it might be unique (that is until somebody links me 10+ blog posts like this making the same exact points and calling me a thief where I’ll be forced to go into hiding in a Moldavian cave, because as we all know, once you’re cancelled on the “internets”, it’s for good.)

On more a serious note, it’s a great time to be alive, unless of course you remember everything else except the TV, like:

  • Who’s the current president of USA.
  • Our planet dying.
  • COVID-19 in full strength and not getting weaker any time soon.
  • Disappearing middle class all over the world and increasing wealth gap.
  • The hive mentality of social media, where everyone needs to be 100% all the time, that’s not THAT difficult, right?

And the list goes on and on and, holy fuck this is getting depressing. Wait, let’s go back to topic, golden age of TV!

That leads me to my first point:

  • Escapism is real – Look, I’m not saying what was happening in the 60’s, 70’s or 80’s was all peachy, not by a long shot. But it does feel like lately, everything that can go wrong, goes HORRIBLY wrong (see the entire 2020 so far). And that’s why I believe people are switching on their TV screens much more often and just prefer to stay at home, where the danger, hatred and the cruel reality of the outside world can be replaced by something that gives us hope, that makes us laugh, or reminds us why this blue dot in the outer space is still worth fighting for.

But why are more and more people staying home, watching TV? Well, the escapism isn’t the only known unknown in this equation, as that’s been one of THE appeals of the cinema ever since its beginning! But only recently we’ve gotten our hands on so much more content than we could ever consume in 3 lifetimes.

  • Streaming changed everything, forever – To me, this is the most obvious point. With the rise of Netflix, and later Amazon Prime, HBO Go, Sky etc., we have now much more to consume for really good price! Entire box sets of TV shows we’ve always heard about and never could watch instantly, or brand new Netflix originals, where they still have a level of quality (even though you can make an argument for that level of quality decreasing by the year) to capture our time and give something a chance. After all, it’s only 6/8 hours of your life, right?

This actually brings me slowly to my biggest point of why we are living in the golden age of TV, because when I wrote “streaming changed everything, forever” I meant it. And not only availability wise, but rule wise. What am I talking about?

  • First rule of streaming club, we don’t give a fuck about number/length of episodes – Think about it. There were always great TV shows, but most of them had one, major weakness. They had too many episodes, and those episodes had to have a certain length, always. But not because they had the story to tell, or characters to develop, but they had a year of TV to fill in. And that’s hard, and it doesn’t matter if you’re a lighthearted sitcom, or serious drama, eventually you find yourself in a trap of writing for a sake of “we need 22/24 episodes, goddammit! That’s how it always was!”. Or at least that’s how it’s been before HBO (exactly, we need to acknowledge the true OG, as young people say, and I should know as I’m still young and definitely not getting old) came along and we’ve started to get TV shows with 12/10/6 episodes a season. I know, I know, it’s not exactly fair to compare network TV stations like CBS or ABC to HBO, but stick with me. Because I honestly believe people at Netflix, when they established themselves as a streaming giant, took notes and took the most important one from HBO – just give us a story that makes sense, that captures the audience and we don’t care if it’s told over 6 hours or 16. We don’t care if one episode is 48 minutes long and the other 42. Suddenly, these “filler” episodes, or “best-of” episodes from previous seasons (and you DO know what I’m talking about, perfect example would be The Simpsons, or the classic of Czech TV programming Step by Step) were not there anymore. Don’t get me wrong, I am NOT saying we don’t get “weaker” episodes, not by a long shot, what I am saying is, there are less of them and that makes any TV show more fluid, coherent and watchable. And I genuinely hope more network TV shows will just acknowledge that this is the way, for a future of better TV.

There is one more thing why I think we live in the golden age of TV, and it kind of relates with, surprise suprise, streaming changing the game. And that thing, or a point is:

  • It’s no longer shameful for a proper A-lister to have a TV show – Not that long ago, the TV show was a medium where movie actors and actresses went “to die” – they were either too old, too outside of the mainstream or the studio considered them too unmarketable to be in a movie. It wasn’t until late 80’s where one actor finally managed to make his mark, and going from a successful TV show to be an international movie star – that man is of course, Bruce Willis. Yes, some people are either too young to remember, or have already forgotten that he started on (at that time) successful TV show called Moonlighting and has managed to fight his way through to the silver screen. Then, in the 90’s, George Clooney had followed Bruce’s example and made his leap from another successful TV show (ER) to the silver screen. And these two were the major examples that it CAN be done, that those two worlds can co-exist together. But there was still this “fear” from A-listers, where they thought “once I’m on TV, my career as a movie star has officially ended” and there was no two ways about it. Yes, you can find some examples, but the general rule of thumb was, TV is for when you get older. Then the “revolution” came with Netflix and I need to mention 2 names, one of which is controversial to mention nowadays – Kevin Spacey and David Fincher.

Yes, House of Cards was the actual turning point in finally blending in these two worlds, where 2 talented people at the height of the power, have fearlessly went to Netflix, and lead the way for others, where suddenly, a few years later, it’s a thing of pride to have a TV show, or a limited TV series. Just look at (still haven’t seen it, but hopefully getting to it soon) Big Little Lies – a TV show where the first season already had Reese Witherspoon, Nicole Kidman, Shailene Woodley, Zoë Kravitz and Laura Dern but that wasn’t big enough I guess, so in their second season they’ve added nobody smaller than Meryl Streep.

And this is the thing – all of these women still have successful movie carriers and they are not in any way shape or form ready to “die” on that show, nor they are afraid by being in one would get them less movie offers.

The TV nowadays is considered the “adult” medium, where grown-ups get their stories, their doses of drama, comedy, thriller etc. Movies are for spectacles, comic book films, and larger than life movies. That’s not to say you can’t still find a great drama or comedy on the big screen, sure you can. But there is a shift happening, slow one, but there is.

Even back in 2013, Spielberg and Lucas gave an interview about something similar, saying movie going experience will be for big blockbusters only and it’s only a matter of time for some stories to be told on the smaller screens.

George Lucas about movies in the future:

Lucas lamented the high cost of marketing movies and the urge to make them for the masses while ignoring niche audiences. He called cable television “much more adventurous” than film nowadays.

“I think eventually the Lincolns will go away and they’re going to be on television,” Lucas said. “As mine almost was,” Spielberg interjected. “This close — ask HBO — this close.

The full link for the interview can be found here.

When you think about it, it makes sense – the way we consume art, has changed with new technology, we want something good immediately, and preferably yesterday, so we can say to our colleagues or fellow students “Oh yeah, I watched it yesterday, it sucked!” And that is why this trend will not only not stop, but we will see even better TV shows in the next couple of years. This golden age can last for a quite a while and the only thing we can regret is having no time to watch everything that comes out.

What do you think about this topic? Did I miss something obvious? Let me know below!

Until next time,

Luke