All posts by Luke

Movie and TV lover with opinions about everything.

Thoroughbreds (2017) Review – Unexpectedly chilling movie

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I am not going to lie, I’ve enjoyed Thoroughbreds much more than I’ve anticipated. This is the kind of movie that is really hard to describe without going into spoilers, so for those who want to see the movie and therefore won’t be reading any further, I’ll just say this – it’s a really good movie where all the main stars get to shine, but the one that shines the brightest is Anya Taylor-Joy.

Following review might contain spoilers.

On a surface level, this movie isn’t something new – all kind of “psychotic” disorders have been portrayed on the big and the small screen for the past 20+ years and it seems people are enjoying them, as Hollywood studios keep making them.

Where this movie differs from the rest is it puts you on the edge of your seat from the very beginning, where the cards are seemingly on the table, the introduction tells us who’s the “crazy” girl (brilliant performance by Olivia Cooke), but not even 10 minutes in and you start to question whether you couldn’t make the case for Anya Taylor-Joy and as the movie progresses, one thing is for certain – there is something uneasy about both.

First hour or so the movie has a great atmosphere, where it builds up the main villain (step-dad) just to pull the rug right under you. Where a lesser movie would just keep him a villain, maybe made him slightly creepy, this one chooses a different path. For me, the pivotal scene of this entire movie, is the confrontation between him and Lily, Anya’s character, in the kitchen. After that scene you realize that everything you thought you knew about this story/character is skewed by Lily. That’s the point where the second “twist” happens, where you realize it’s not Amanda (again, Olivia is superb) who’s the propeller of this story, even though, she can’t feel any emotions, so she’s just faking everything, but Lily. That’s the point you realize Amanda is trying to fit in, in her own way, and just because she can’t feel anything she’s not inherently bad, but Lily is as she is choosing to kill her step-dad and nothing is stopping her.

If you were to put anybody less talented in the role of Lily, this movie would’ve been an alright movie at best, and easily forgettable. By casting Anya, the director (Cory Finley, for whom this was his debut film) made an excellent choice as she definitely has the raw talent to pull this off. The entirety of this movie lies on her and her ability to convince you of her evilness in a really subtle, non-cartoony way and she’s nailed it.

The final nail in this would be the end scene with Anton Yelchin (this was one of his last movie before his untimely and really unfortunate death) where she embraces everything and goes along, knowing very well she’s not the “good guy” in this story, even though she got away with everything.

Overall, this movie surprised me, gave me chills at some places and made me even more aware that Anya Taylor-Joy is (or at least should be) the next big thing and I really hope she’ll have a long, long carrier.

Rating: 4 out of 5.

That’s all for this movie? Did you like it or thought it wasn’t anything special? Let me know!

Until next time,

Luke

Streaming services are killing… streaming services…?

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Netflix. Amazon Prime. NowTV. Disney+. Mubi.

These are not just some random streaming giants and Mubi (sorry Mubi, I love you dearly, but you know… just, you need to be this tall to ride this ride, you know what I’m saying?) these are all streaming services I am currently paying for. It doesn’t seem that bad, right? I mean, with Amazon Prime you get prime delivery (well, after all this COVID-19 ends, so maybe next June?) with NowTV you get plenty of classic Hollywood movies and most of HBO‘s finest box sets, with Disney+ you get all the movies that will soon move from Netflix and NowTV because they are all owned by Disney now, so basically 75% of all the movies ever made will end up there, and with Mubi you get great independent/cult/under-seen movies so we are all good until now. And of course, we can’t forget the one responsible for this all – Netflix, where you can still get decent movies and TV shows, and some of their content is truly awesome (Orange Is the New Black just to name my favourite).

The problem is this – people want money. Which is not bad overall, I mean, we all want to eat, buy nice things, travel (I mean, remember travelling? Good times…) and all that jazz and that’s honestly fine. But it stops being fine when big organisations think they can replicate what Netflix or Amazon Prime has done, have one or two known/beloved IPs (intellectual properties) and want to “build” a streaming service around that. And this is where we get situations like “Oh, you want stream Friends? Sure, it’s on Netflix now, but come 2021, it won’t be and you will have to get.. HBO MAX..?” The link for the full story is here.

Unfortunately, this isn’t even the end, not by a long a shot. NBC will have its own streaming platform, pulling the beloved TV show The Office from Netflix or Amazon Prime, depends where you live. The entirety of UK has apparently decided “Oi mate, we want ourselves streaming service too, only for the British!” so the BritBox has been born. I honestly wish I was joking and yes, that name sounds more like a box match where only the purest British people are allowed to compete in for a title of the most British person that’s ever britished. And I know I’m missing hundreds others I don’t either know, or care about (sorry YouTube, literally nobody cares about YouTube Premium). And this creates a problem. The problem. To paraphrase the TV show Archer:

Except pirates, replace the word “ants” with “pirates”.

The main issue is with the content all spread out, where one service will only hold this one or two TV shows and the other will only hold this, your market will fall apart quicker Michael Jackson’s nose (honestly hope it’s not too soon for this joke). Because ordinary people, and I am not using this as an insult or to discredit an average person, don’t care about movies/TV shows enough to pay for 10+ streaming platforms. They’ll only pay for 2/3 maximum and the rest… well, in an ideal world, they’d legally purchase everything else they’d to watch through reliable services to make sure artists get their cut, but in a harsh reality of this life, where some people live from paycheck to paycheck, they become pirates and to the torrents they go.

For a while, it seemed like Netflix solved the piracy issue where it wasn’t even worth pirating something, as it gave people plenty of content (old and original), so they wouldn’t even think to pirate anything. And that is the main point what these newcomers don’t understand about Netflix and why it got so big. They weren’t building a streaming service on existing content, but they’ve invested a lot of money into their originals, doing that they had attracted Hollywood big shots and the rest is history. They weren’t relying on “Hey, you LOVE The Office right? Well come right along for a ride!”

The direct result of this will be, in couple of years we will see even more headlines like this one from last year (Piracy is back, link is here) where the author is making the same points I do (in unrelated news, please follow this blog for totally relevant and original think pieces like this one).

But it doesn’t matter how many different articles on this topic will be written – here’s what’s going to (probably) happen in a couple of years:

  • We will see a service or two that will “bundle-up” the streaming services you want for a slightly better price than paying for them individually (welcome to the cable for 21st century, yay!)
  • Plenty of these streaming services will eventually fail, to the surprise of no one except the people who thought it’d be cool to have a streaming service based on a few existing IPs.
  • Artists will complain about piracy rising.
  • Industry people who approved this will be like “new phone, who dis?”
  • Industry will blame the normal consumer for being spoiled and wanting everything instantly.
  • Only the giants survive, where they can (hopefully) buy back the content that once had been taken from them.

Or maybe not, and all of these streaming services will make millions of dollars/pounds/euros and I’ll look like an idiot who doesn’t know what he’s talking about. That is also possible. Unfortunately this is the kind of topic where only time will tell.

Also, BritBox is really stupid name. I feel like we’ve just accepted it, because UK’s been having some difficulties lately (Brexit anybody?) but honestly… no.

What do you think? Which streaming services are you paying for? Let me know!

Until next time,

Luke

On Body and Soul (2017) Review – The best movie you’ll (probably) never see

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I usually don’t include the plot, as I don’t really see the point in reviews to give you a plot of movie you either have seen or are considering seeing (therefore reading this, hopefully) but given the fact this will be an under-seen movie not matter what, I’ll make an exception:

When slaughterhouse workers Endre and Mária discover they share the same dreams – where they meet in a forest as deer and fall in love – they decide to make their dreams come true but it’s difficult in real life.

This Hungarian movie (nominated for Best Foreign Language Film of the Year at 2018 Oscars) is really worth it, even if you consider subtitles to be just really annoying part of a weird, usually different movie you’re not used to. See for yourself, the trailer below:

I know. I’ve done it. I’ve just hit a jackpot where all the keywords like “Endre”, “Maria”, “Hungarian” and “subtitles” will make sure most of you reading this until now click away, washing their eyes in terror and hoping that somebody better invent the goddamn time machine quick, so you can travel back in time a minute before reading this review and stop your past self from reading this.

But that’d be dumb not that wise. This movie is different, and yes, it might be bit on the “artsy” side (yet another keyword, yey! This is going well…) but it’s not self-indulgent. This is just a simple story told slightly differently with killer performances, that are nuanced and feel honest.

On Body and Soul is unique look at relationships, and how easy or difficult they can be, especially if you are not sure how to communicate your feelings, if you’re socially awkward, or if you don’t have anyone else to go to for an advice. It is relatable on a very basic level where (almost) everybody just wants to find somebody to share their happiness, pain, life, you know, the entire package with.

It’s also visually stunning movie, combining some harsh images (people who struggle with blood should maybe consider skipping this one) with poetic images of pure, untainted nature.

I’m not going to lie, I’ve only seen this movie once, over 2 years ago, but it stayed with me until today. Because to me, this is the perfect blend of a movie being “artsy” without having to bore you to death, or where you’d have to ask yourself every 10 minutes “what the fuck am I watching?” The story isn’t complicated at all, it’s told beautifully and only asks you to suspend your disbelief for a tiny bit, after all, why couldn’t 2 people meet within one dream?

I’m going to leave you with this – if you going to watch just ONE Hungarian movie in your entire life, this might a choice you (hopefully) shouldn’t regret.

Rating: 5 out of 5.

And I’ll leave you with this song from the movie that perfectly encapsulates the feel of it (the video with it will make more sense once you’ve seen the movie, trust me on that :-))

Hope you’ve enjoyed this review, let me know what you think!

Until next time,

Luke

The World According to Jeff Goldblum (2019) – Review

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Rated and reviewed after watching the entirety of the first season.

Jeff Goldblum has had an interesting carrier – from being in one of the biggest/most influential movies of all time (not talking about Cats & Dogs, but yes, he’s there) – Jurassic Park – to being mostly supporting actor throughout the years and, speculatively, if it wasn’t for Thor: Ragnarok it might’ve stayed like that.

We are now living in the age of Jeff, THE JEFF and that’s just a fact. It seems that now, more and more people are discovering his weirdness and can actually relate to him, in some sort of fascinating way. Which to me is all kinds of strange, as he is by all accounts unconventional dude and pretty comfortable with that.

And Disney was really clever to notice that and take advantage of it. And it seems to have paid off. Or did it?

Look, I wasn’t part of the discussions, but I am pretty certain even the biggest optimist at Disney didn’t think “Let’s give the JEFF a TV show, that will definitely draw crowds of people!” But they did it anyway as they knew, that it will never be the main selling point of Disney+. Jeff Goldblum will always be a side dish, supporting actor. And for any other actors, that’d be an insult. But not for him. Because his entire life, he’s perfected his art of being the best supporting actor there could be, to maintain his status of “every movie I’m in, I’ll make sure I do my very best and support everybody around me to the best of my abilities”.

That is why The World According to Jeff Goldblum worked for me. It is a show where Jeff takes you throughout USA to learn about denim, coffee, BBQ, swimming pools, etc., but it never becomes boring or tedious, because of him and his enthusiasm for… everything. You can tell he’s one of those people who live by the saying “every day is a gift and you should enjoy it” and it never comes across as fake or scripted. And I believe that is why more and more people do relate to Jeff nowadays, because of his authenticity.

The fact each episode is roughly 30 minutes helps this show massively as it’s not dragging on, and on a occasion where the main topic of the episode might not be as interesting (Jewelry) you still end up watching it, because there is something about Jeff and his way of presenting a TV show that in almost any other “hands” would be mainly about THAT celebrity doing things. As much as it sounds weird, this doesn’t feel like that at all. Jeff is just so down to earth, with almost no ego, you soon forget he’s an actor and could be doing movies instead of this “tiny” show, but he doesn’t see it that way, and neither should you.

By asking “is THIS particular TV show worth paying for yet ANOTHER streaming service?”, you are doing a disservice to yourself. Because it’s a wrong question to ask. This is a superb side dish, something extra you didn’t expect, like when in a restaurant you get a complimentary fries – that’s awesome!

This is it for me – really solid, side dish, where I’m more than curious for its second season and where will Jeff Goldblum take us next.

Rating: 4 out of 5.

That’s it for this one, what did you think? Do you like the Goldblum-mania, or do you wish it would stop already? Let me know!

Until next time,

Luke

We live in golden age of TV and here’s why

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Yeah, I know I know I know – just saying this sentence feels as “surprising” as Daniel Day-Lewis winning yet another Oscar (honestly wonder whether he’s truly retired, or if he’s coming back…?) or Meryl Streep getting yet another Oscar nomination (who’s even counting at this point, honestly? Just always presume if Meryl had a movie out during a year, she’s getting nominated the year after, your life will become much simpler and in a weird way, it will make more sense).

But I feel like sometimes when people discuss this they focus on certain points and the way I’m thinking about it might be unique (that is until somebody links me 10+ blog posts like this making the same exact points and calling me a thief where I’ll be forced to go into hiding in a Moldavian cave, because as we all know, once you’re cancelled on the “internets”, it’s for good.)

On more a serious note, it’s a great time to be alive, unless of course you remember everything else except the TV, like:

  • Who’s the current president of USA.
  • Our planet dying.
  • COVID-19 in full strength and not getting weaker any time soon.
  • Disappearing middle class all over the world and increasing wealth gap.
  • The hive mentality of social media, where everyone needs to be 100% all the time, that’s not THAT difficult, right?

And the list goes on and on and, holy fuck this is getting depressing. Wait, let’s go back to topic, golden age of TV!

That leads me to my first point:

  • Escapism is real – Look, I’m not saying what was happening in the 60’s, 70’s or 80’s was all peachy, not by a long shot. But it does feel like lately, everything that can go wrong, goes HORRIBLY wrong (see the entire 2020 so far). And that’s why I believe people are switching on their TV screens much more often and just prefer to stay at home, where the danger, hatred and the cruel reality of the outside world can be replaced by something that gives us hope, that makes us laugh, or reminds us why this blue dot in the outer space is still worth fighting for.

But why are more and more people staying home, watching TV? Well, the escapism isn’t the only known unknown in this equation, as that’s been one of THE appeals of the cinema ever since its beginning! But only recently we’ve gotten our hands on so much more content than we could ever consume in 3 lifetimes.

  • Streaming changed everything, forever – To me, this is the most obvious point. With the rise of Netflix, and later Amazon Prime, HBO Go, Sky etc., we have now much more to consume for really good price! Entire box sets of TV shows we’ve always heard about and never could watch instantly, or brand new Netflix originals, where they still have a level of quality (even though you can make an argument for that level of quality decreasing by the year) to capture our time and give something a chance. After all, it’s only 6/8 hours of your life, right?

This actually brings me slowly to my biggest point of why we are living in the golden age of TV, because when I wrote “streaming changed everything, forever” I meant it. And not only availability wise, but rule wise. What am I talking about?

  • First rule of streaming club, we don’t give a fuck about number/length of episodes – Think about it. There were always great TV shows, but most of them had one, major weakness. They had too many episodes, and those episodes had to have a certain length, always. But not because they had the story to tell, or characters to develop, but they had a year of TV to fill in. And that’s hard, and it doesn’t matter if you’re a lighthearted sitcom, or serious drama, eventually you find yourself in a trap of writing for a sake of “we need 22/24 episodes, goddammit! That’s how it always was!”. Or at least that’s how it’s been before HBO (exactly, we need to acknowledge the true OG, as young people say, and I should know as I’m still young and definitely not getting old) came along and we’ve started to get TV shows with 12/10/6 episodes a season. I know, I know, it’s not exactly fair to compare network TV stations like CBS or ABC to HBO, but stick with me. Because I honestly believe people at Netflix, when they established themselves as a streaming giant, took notes and took the most important one from HBO – just give us a story that makes sense, that captures the audience and we don’t care if it’s told over 6 hours or 16. We don’t care if one episode is 48 minutes long and the other 42. Suddenly, these “filler” episodes, or “best-of” episodes from previous seasons (and you DO know what I’m talking about, perfect example would be The Simpsons, or the classic of Czech TV programming Step by Step) were not there anymore. Don’t get me wrong, I am NOT saying we don’t get “weaker” episodes, not by a long shot, what I am saying is, there are less of them and that makes any TV show more fluid, coherent and watchable. And I genuinely hope more network TV shows will just acknowledge that this is the way, for a future of better TV.

There is one more thing why I think we live in the golden age of TV, and it kind of relates with, surprise suprise, streaming changing the game. And that thing, or a point is:

  • It’s no longer shameful for a proper A-lister to have a TV show – Not that long ago, the TV show was a medium where movie actors and actresses went “to die” – they were either too old, too outside of the mainstream or the studio considered them too unmarketable to be in a movie. It wasn’t until late 80’s where one actor finally managed to make his mark, and going from a successful TV show to be an international movie star – that man is of course, Bruce Willis. Yes, some people are either too young to remember, or have already forgotten that he started on (at that time) successful TV show called Moonlighting and has managed to fight his way through to the silver screen. Then, in the 90’s, George Clooney had followed Bruce’s example and made his leap from another successful TV show (ER) to the silver screen. And these two were the major examples that it CAN be done, that those two worlds can co-exist together. But there was still this “fear” from A-listers, where they thought “once I’m on TV, my career as a movie star has officially ended” and there was no two ways about it. Yes, you can find some examples, but the general rule of thumb was, TV is for when you get older. Then the “revolution” came with Netflix and I need to mention 2 names, one of which is controversial to mention nowadays – Kevin Spacey and David Fincher.

Yes, House of Cards was the actual turning point in finally blending in these two worlds, where 2 talented people at the height of the power, have fearlessly went to Netflix, and lead the way for others, where suddenly, a few years later, it’s a thing of pride to have a TV show, or a limited TV series. Just look at (still haven’t seen it, but hopefully getting to it soon) Big Little Lies – a TV show where the first season already had Reese Witherspoon, Nicole Kidman, Shailene Woodley, Zoë Kravitz and Laura Dern but that wasn’t big enough I guess, so in their second season they’ve added nobody smaller than Meryl Streep.

And this is the thing – all of these women still have successful movie carriers and they are not in any way shape or form ready to “die” on that show, nor they are afraid by being in one would get them less movie offers.

The TV nowadays is considered the “adult” medium, where grown-ups get their stories, their doses of drama, comedy, thriller etc. Movies are for spectacles, comic book films, and larger than life movies. That’s not to say you can’t still find a great drama or comedy on the big screen, sure you can. But there is a shift happening, slow one, but there is.

Even back in 2013, Spielberg and Lucas gave an interview about something similar, saying movie going experience will be for big blockbusters only and it’s only a matter of time for some stories to be told on the smaller screens.

George Lucas about movies in the future:

Lucas lamented the high cost of marketing movies and the urge to make them for the masses while ignoring niche audiences. He called cable television “much more adventurous” than film nowadays.

“I think eventually the Lincolns will go away and they’re going to be on television,” Lucas said. “As mine almost was,” Spielberg interjected. “This close — ask HBO — this close.

The full link for the interview can be found here.

When you think about it, it makes sense – the way we consume art, has changed with new technology, we want something good immediately, and preferably yesterday, so we can say to our colleagues or fellow students “Oh yeah, I watched it yesterday, it sucked!” And that is why this trend will not only not stop, but we will see even better TV shows in the next couple of years. This golden age can last for a quite a while and the only thing we can regret is having no time to watch everything that comes out.

What do you think about this topic? Did I miss something obvious? Let me know below!

Until next time,

Luke

Hotel Artemis (2018) Review – Style over Sustenance

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Films like Hotel Artemis puzzle me – on one hand, they have everything going for them – A-list casting from Jodie Foster (her first role in since Elysium back in 2013) and Jeff Goldblum (who I can’t really take seriously after watching his Disney+ special The World According to Jeff Goldblum – [review coming soon, btw!] especially in a role of dangerous crime lord who’s running the entire LA) to the newly rising “young blood” Sterling K. Brown and Sofia Boutella, and the concept is pretty cool (a hospital or “hotel”, if you wish, for criminals where they have rules, because they are unique and cool and… totally not ripping-off John Wick series… ;-)) but that might be THE problem.

Where other movies (and let’s face it, the John Wick influence is pretty on the nose) establish their characters and flash them out bit more, so when there is a point where they (could) die, we care, this one didn’t seem to bother. We’ve got hints of story lines where person A had a past with person B and he’s always been dragged down by person C, but it never really pays off in the way the filmmakers would want.

And that’s the main issue with this movie – plenty of things are hinted at, but some kind of fizzle out, or because of the underdeveloped characters, never pay off. And trust me, I’m always the one that complains if/when the audience is treated like a bunch of idiots who need to be told every single little thing, just to make sure even the kid who’s on their phone all the time got everything, but there is a fine difference between drop-feeding us some much needed exposition slowly and not expending on your characters (I’d say the master of this, at least for our generation, is Christopher Nolan, and there will be reviews for his movies, believe me).

BUT and this is a massive, almost Cardi B-like but(t), this is Drew Pearce‘s directorial debut. And he definitely can do style, the action scenes were not all chopped up to bits and overall the movie didn’t feel like a chore, which is always a plus, even though if we’ve had 20/30 minutes more, we could’ve had a better characters… maybe? I would not give up on him and I think considering this fact, he’s handled his first movie fairly well.

Overall: Hotel Artemis is worth checking into, if you like mindless, 90 minute action drama, where you don’t need to pay that much of attention to the story or characters. If you want more, consider checking into a different kind of hotel (I’ve heard Grand Hotel Budapest has excellent manager :-))

Rating: 2.5 out of 5.

And this is all for this film. What did you think, did you like it, hate it? Was I too harsh? Let me know!

Until next time,

Luke

Let me introduce myself…

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Hello, movie lovers, friends and anything in between.

It would be polite to introduce myself so you have better idea about the person sitting behind the screen.

My name is Luke, I’m almost 29 years old and ever since I remember, I’ve loved movies. I love watching movies, I love debating movies, I love loving movies…? Maybe that’s too much, but I can’t help it. There is something greater about this medium than any other I can think of. It makes you feel one way one minute and then can pull the rug under you the next minute.

Couple of bullet points about me:

  1. I come from non-English speaking country (Czech Republic), so please bear with me if something doesn’t make sense and ask and comment any typos, or anything really that strikes you as odd and leaves you wondering “what the fuck was he trying to say…?”
  2. Yes, I don’t mind swearing. I’ll try my very best not to do it on regular basis (at least on this blog) but sometimes when something needs to be underlined, there are no better words.
  3. I have no film or writing background, I didn’t go to college or Uni for this (my background is in IT) so I am by no means a professional, I’m just a movie lover that hopes to find people who sometimes agree with his take on movies, TV shows, podcasts etc.
  4. I am not going to focus on specific movies, my plan is to be myself and I tend to watch anything and everything, from new movies playing in the cinema, to old movies (and no, by old I don’t mean movies from 1991, even though that’s almost 30 years ago, and holy shit I’m getting old and you’re getting old and we are on the path to death… sorry where was I? Oh yeah, close the bracket explaining old movies). From comedies, to dramas, horrors, musicals, westerns, there is no genre I dislike. A good film is good film, no matter the genre.
  5. I’m also planning to review a fair amount of TV shows, as I’m obsessed with TV shows (anything from Netflix, HBO to BBC dramas).
  6. Under the Misc section, I’ll write anything in between where I meditate about the current state of movies, TV shows, review a podcast or two, all that good stuff.

If this sounds like a journey you’d like to go on with me, I’ll be more than happy to take you with me. If not, no hard feelings, same with movies, no one movie is ever universally loved.

Until next time,

Luke