Tag Archives: 2019

Movies or shows released in 2019.

Pet Sematary (2019) Review – Sometimes, No Remake Is Better

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There are cases where remakes improve upon something the original film was lacking. Like acting performances, better effects, a new way of telling the story, giving it a fresh, new perspective. And then, there is this remake that changes one minor detail and calls it a day. And it doesn’t have the balls to go all out. Welcome to the new, sanitized Pet Sematary. Don’t stay for too long. Trust me it isn’t worth it.

Where this remake is better, no questions, are the performances. Everybody from Jason Clarke to young Jeté Laurence they were pretty great. Too bad the rest of the movie didn’t catch up to their standard. As a person who watched the original Pet Semetary (1989, my review here) shortly before watching this film (because that’s how I try to roll), I can compare and see how different people approach the same story. And here, it is fascinating how they managed to take a great premise and put it through something I call “2010’s horror filter” (trademark pending). What is that? I am so glad you asked. The problem with most horror movies nowadays is simple. They all look the same, they all feel the same, they all rely on the same cheap jump scares. Once you see a couple, you have seen them all. I have always hated jump scares because, for me, it always felt like cheating. Imagine if a stand-up comedian tickled you after every single joke. Not only it would be weird, but did you laugh because they tickled you or because the joke was funny?

If there was a story that lends itself to a creepy, unsettling atmosphere, you could build up throughout the film and escalate towards the end, it was this one. But no, what we got instead is the same old stuff. Except here, the people behind this remake have made some changes… well, one major one and one minor one. To talk about them, you know where I need to go, so…

Beware, SPOILERS are coming!

The first thing they changed was who died. It’s not the son but the daughter. As it was easier since she’s played by an older actress so they could shoot more with her. And also, avoid replacing her with a plastic doll, as the original film did. Ok, fair enough, but is that enough to warrant a remake? Nah. The minor thing they’ve changed, for almost no reason, is the neighbour and the entire storyline/relationship with the family. In the original, we see them interact and talk a lot, we see them bond together, so there was no wonder he would be there for them. Here, we pretty much skip that and see him sporadically. Plus, if I remember correctly, he is a bit of a dick towards Jason’s character, not telling him about the fact he will bring the cat back to life? See, it is such a forgettable movie I watched it only a few weeks ago, and now, I can’t recall a pretty crucial plot point. But I remember that bothered me, and in this version, he came across as more hostile.

But that is about it. The story plays pretty much the same, except what was only hinted at, at the end of the original (three not-so-dead people) this movie took and run with, so this film ends with everyone but the youngest son being not-so-dead, and they start to surround him. My main issue with this film is the following. They put this movie through the “2010’s horror filter” (trademark pending), and because of that, it has nothing going for it. There is no underlying creepy or unnerving atmosphere throughout the movie. There is no style. Yeah, there is the procession of kids wearing… I guess “creepy” masks, but that’s being “forcibly creepy”. What plenty of modern horror movies don’t understand is that oftentimes, the simpler you do things, the better the result. People don’t need to know everything. Sometimes all it takes is to hint at some things and move along.

I was going to call this movie “one of the worst remakes of all time”, but… As luck would have it since then, I have actually watched another horror film (original and remake back-to-back), where the difference between the original horror film and the modern remake is so striking, it made me almost sad. You will see those reviews soon. For now, I will give you a hint it’s a movie with a holiday season and a colour. 😉

Overall, Pet Sematary was a let-down. The only thing, which saves this movie from an even worse grade, are the actors. But even they don’t deserve to be in a remake like this. It’s as generic as they come, it wastes the delightfully creepy premise of the original film and tries to earn your respect with a bunch of jump scares that work for two seconds. I don’t think this is worth your time.

Rating: 1.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Escape Room (2019) Review – A Really Enjoyable Mess

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Do you know the feeling, when you are watching a film, you are really into it even though you know, that logically, it will fall apart the moment you start to dig deeper into it? But you don’t mind, because you are having fun? And then, the movie goes overboard and sets up an unnecessary sequel(s) because that’s how it’s done today and that pulls you out? That was my experience with Escape Room. I was really in the movie for most of it and then, the last 20 minutes happened, that made me… let’s say not as interested, as I was before.

As Sigmund Freud once said: “Let’s talk about it, shall we?” It’d be so easy to see a movie like this as “not as bloody/twisted copy of Saw franchise” and discredit it altogether. Even though to a certain point, you’d absolutely be right. This is nothing new the concept is clearly “Saw-like” it is just re-done for escape rooms that have become popular in the last five years or so. But honestly, I had more fun with this movie than with anything beyond Saw III (2006), and I am saying it as somebody who has seen all the Saw movies except the very new ones.

The main thing I liked about Escape Room was the overall concept, how each room was different (and later on in the movie we find out that wasn’t a coincidence) and how there wasn’t just one piece of the puzzle to solve. This whole movie is people looking to solve clues, so they can move to a different room, and yeah, stay alive. And honestly, for most of the film, I was all in. I was having a blast, I liked the fact they didn’t go over-the-top with blood/violence, that they have tried to do their own thing.

Also, the cast was a pleasant surprise as for me, consisted of mostly unknown actors who did a great job. The highlight was Taylor Russell, whose performance I have truly enjoyed. She was the most intriguing character out of all the people involved with “the game”, where she was smart, but still felt relatable and human. Honestly, she did a great job.

I can’t talk about this movie (or the issues I had with it) without going to spoilers, so before then, let me just reiterate, that Escape Room is a great movie for the first 80% of its length. If I end up watching Escape Room 2 (2021), it will only be because of my morbid curiosity, the fact I am a completionist, and also to see the character(s) who managed to survive the first movie and whether they will have a big impact on the second one. Anyway, here we go…

Beware, SPOILERS are coming!

As stated at the start of my review, I was enjoying the movie, until the last 20 minutes or so came along. The way this movie went, you know they will play the “there is a big, powerful society/company behind all of this” angle which didn’t surprise me. What surprised me, and not in a pleasant way, was everything that followed afterwards. You have one scene, where of course, nobody believes the two characters who survive. Also expected, but ok. Those two meet up six months after, where Taylor’s character manages to persuade Logan Miller‘s character to go with her to an unknown, unmarked building in the middle of New York (?) Then we have a scene of a plane crash, except, SYKE, it was all fake and we are seeing a preparation of a trap (?) for those two characters because of course, they (the big secret company) know the two survivors are about to fly to New York in two weeks. And there is a mysterious voice behind all of this, ordering his minions to make the plane trap harder… and that’s when I was supposed to be in, but I was out.

I understand everybody wants to have trilogies, or better yet, entire universes of movies. But what happened with starting with a solid base? The last 20 minutes of this film didn’t feel like anything else but a cheap setup aka “look what else we can do with this, as long as you give us your money”. And had you closed this properly, answered some questions (how come the big bad company managed to sweep all the evidence so swiftly? Who is actually behind this and why? I know there was a speech, that tried to justify what is happening and why, but who is behind the mysterious voice? Wouldn’t it be more dangerous to keep those two alive? If the company is truly that powerful, wouldn’t they just kill the survivors rather than risking anything?) and then, maybe give me a 5-minute tease for what’s potentially to come, and I wouldn’t complain at all.

This problem is not unique to just this film, I know. But it honestly bothers me how everyone in Hollywood feels the need to “tease us” with what’s there to come, but they fail to give us one full adventure. The way this film is structured it felt like it was a movie and almost a quarter of a new one. And that is the thing that made the very first Saw (2004) so great if we go back to it quickly. They gave us a movie with a beginning, middle, a great twist, and an end. Where you could tell there might be more, but even if there were no more Saw movies released ever again (imagine making more than six sequels, right?) you could still go back and re-watch the first one on its own. You can’t do that with this film.

Overall, Escape Room is a fun movie that knows how to utilize its concept to the fullest. It’s a film, full of different, interesting characters, and as it usually goes in movies like these, one evil company, that just wants to watch people suffer. Had it finished sooner, without that ending that wasn’t really an ending, more of “this is what can you expect in our next instalment(s)” it would have been one flawed yet fun movie to watch. As it is, it’s still fun to watch, just be ready to be taken out of the movie in the last 20 minutes.

Rating: 4 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

The Gentlemen (2019) Review – Guy Ritchie Is Back

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After some really strange choices over the past couple of years (I always forget it’s Guy Ritchie who directed the live-action remake of Aladdin (2019, my review here)) he went back to what he does best. The Gentleman is a sleek, yet gritty crime epoch, that proves Ritchie didn’t forget what made him famous. And for me, this is easily my second favourite from him and I only didn’t see three or four of his movies.

What I appreciated the most about this film was the fact, Ritchie can still tell complicated stories, comprehensively. Do you know how they say “often imitated never duplicated?” Well, this could be said about Ritchie’s way of telling complicated stories in a way where if you pay attention, you will understand it at the end. But here’s the thing – you need to pay attention. Oftentimes, he plays with the tiniest details that if you miss them, you will still enjoy the movie, but you might be confused as to what happened to that character, or why did this happen. This is definitely a movie that needs to be watched without any devices (to me, that’s a default, but for plenty of people this is something unheard of) or distractions. Because even if you think you know, where the story is going, Ritchie always throws a wrinkle or two into the narrative, that doesn’t serve as a twist. Especially in this film, and mainly how it ends, it feels almost like a treat, something extra that enhances the story, while also surprising you (definitely surprised me).

Let’s talk about the cast. It’s great. That’s it. I mean it – everybody is perfectly cast, the performances are great, you can almost feel how much fun the performers were having with the material given, it was a genuine pleasure watching all actors involved. If I had to name some standout performances, it would have to go to our main “power couple”, Matthew McConaughey and Michelle Dockery, playing husband and wife. He is the king of the jungle, who needs to act like it all the time (“If you wish to be The King of the jungle, it’s not enough to act like a king. You must be The King. And there can be no doubt. Because doubt causes chaos and one’s own demise.“) and she is the Queen, ruling by his side. But where other movies would end, and wouldn’t give her anything else to do, this one flashes her character really well, where you understand that not only she’s her own person, but if it wasn’t for her, he wouldn’t have become the King. They elevate and compliment each other and you could see somebody like them being in charge. Perfect casting choices, great performances from both.

Sorry, forgot to mention one more actor, who truly shines in this film – Hugh Grant. I have never seen him playing a role like this and I loved his over-the-top character, where he’s the narrator, kind of director (his thing about having a screenplay and reading it, while explaining how it’s going to look like was pure perfection) one of the main players in the story and most importantly, really entertaining. It seems Hugh is having almost a second career now, and I am here for it. Also, I really loved the fact his character was gay, but it was never fully mentioned, it was just… let’s say more than heavily implied. But the movie never made it into a big, or even any, come to think of it, deal.

I can’t really think of anything, that would bother. I am not saying this film is the best movie I’ve ever seen. But you know this feeling, where you are missing something and only after getting that something, you fully realise, what it was? The Gentleman reminded me of that, how much I missed watching smart, gritty action/crime movies, with so many tiny details scattered throughout it. And on top of it, that signature dash of humour only Guy Ritchie knows how to write, to make it work so well, it never feels forced, and most importantly, it never goes for too long. He knows when to stop and get back to the story.

Overall, The Gentleman is here to remind us, how it’s done. How there still can be movies, that blend action, crime, and comedy so well together, you just sit back, relax… wait you can’t really “relax”, because you need that brain of yours to work, to put all the pieces together at the end. But I promise you, it’s not hard work and it pays off to watch this movie carefully, to appreciate the chaotic energy of life, how sometimes you just do something you don’t think is that big of a deal, only for that one thing to start a chain of events, that might either help or destroy you. That is what I mean when I say I missed movies like this because that is where Guy Ritchie makes this movie shine the most. The attention to detail, how something, that might seem like not a big deal, results in your film/story going differently altogether. I can’t wait to re-watch it and honestly, can’t recommend this movie enough.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

The Angry Birds Movie 2 (2019) Review – Everything and Nothing

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I have told you. If you read my review for the first The Angry Birds Movie (2016, my review here) I mentioned there was a pretty big chance of me watching the sequel, as I am usually a completionist by trade. I have finished almost every single TV show I’ve started. When watching movies, if I know the movie, I am about to watch, has 3 more sequels, I usually check to see whether I can watch them all in a row. That’s why I watched this film, even though I didn’t really enjoy the first movie that much. I was hoping, that somehow, this will be different, better, or at least funnier. Unfortunately, that didn’t happen.

The Angry Birds Movie 2 feels like they somehow managed to cram every single animated movie into one. I don’t believe there is a single original idea in this film, we wouldn’t have seen done (and better) before. And yet, or maybe because of that, it really feels disjointed, all over the place and believe it or not, more boring than the first one.

The premise is simple – some time passed since the first movie happened, so there is a prank war happening between the birds and the pigs. But what’s that, a THIRD island…? Who could have seen this comi… everyone. Everybody could have seen this coming. I don’t want to berate a kid’s movie for being too simplistic, as I get it, that this movie knows very well what it is, but Jesus. This sequel is the literal definition of “it’s animated, it moves and your kids will love it while you will suffer”.

My main problem with The Angry Birds Movie 2 is just the overall boredom. I am always fine with some dumb, animated fun. As I always say, there is no need for every animated film to be “Pixar-like”, in regards to learning an important lesson, getting something deeper from a movie, no. Sometimes, all you want is to laugh for 90 minutes and have a good time. But with this movie, I found myself constantly falling to sleep, that’s how “funny” it was.

And here’s the thing – if the movie itself is boring, you can’t even enjoy the pretty stellar voice cast this movie somehow has. As if you are not in it, you aren’t really focused and as a result, most of the voices blend together. So then you take away something, that might have been a saving grace for a different film (“this movie isn’t that great, but Brad Pitt voicing the alien poop was hilarious!” For the record, this is an example, I don’t think Brad ever voiced an alien poop. But I am also sure, it would have been hilarious.) but in this case, it’s just isn’t as you are so bored, you are past caring.

The only tiny (some pun intended) saving grace and one joke, which actually worked for me, was the baby birds’ storyline, about them getting the eggs, they have managed to lose, back on their own. They go on a small adventure throughout the film, and that pay off at the very end of the film was pretty good and I had a decent chuckle. But as I’ve mentioned, that was about 5 minutes from the entire film – if somebody cut that out and made it into its own short, that alone would have been better, funnier and more enjoyable than both Angry Birds movies combined.

Overall, The Angry Birds Movie 2 is an unbelievably precise example of throwing everything onto a wall and seeing what sticks. Every joke, every character you will recognize from some other movie. There is zero to no originality involved and most importantly, it’s really boring. The animation is as always decent and the baby birds’ storyline was pretty funny, but that’s about it. If you have enjoyed the original movie, you might enjoy this one too. If you are more like me and you weren’t that impressed, do stay away from this one.

Rating: 2 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Charlie’s Angels (2019) Review – As Average As It Gets

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This review will be quite hard for me to write, as I will try really hard not to come off as some sort of incel, who hates women in leading roles. That’s a great introduction to a review about a mediocre action movie, isn’t it? Well, believe it or not, but I didn’t want to go there, but the movie really forces your hand, as it lets you know, how men are just the worst by using the worst stereotypes you can think of. Don’t get me wrong, you can use stereotypes to get your message across, but most (if not all) men in this are based in these lazy, Hollywood way of stereotype, where you either have bad men, who are bad, or occasionally some pretty good, nerdy, weak(ish) men. Nothing in between, it’s black or white. And to me, that’s just lazy.

Before actually moving on and reviewing this film, let me make this argument – I know we can’t compare them “like for like”, but take Promising Young Woman (2020, my review here) and Charlie’s Angels. Both of these films are about women, how hard and dangerous it can be (and is, let’s face it), being a woman in “the man’s world”. However, the first mentioned film uses stereotypes to its advantage, it makes you feel uncomfortable, without shouting “girl power, all men are trash!”. And that movie is really out there, really great, uncomfortable, yet much needed watch for many men, to help them understand, how their behaviour might affect all women in their lives. Whereas in Charlie’s Angels, we just see this weird thing, that’s not really about empowerment, more about putting somebody down. What also doesn’t help your case is the director, producer and one of the main actresses, Elizabeth Banks, blaming men and comic book films, as apparently, we hate women led action movies…? You know, except for Wonder Woman (2017), the original (or should I say the first remake) of Charlie’s Angels (2000), the Alien franchise, The Terminator franchise (until they focused on Arnold‘s character only and binned Sarah Connor). I hope I am getting my point across, this film for me could have been a great, light-hearted fun/action film, with women kicking ass. Instead of that, they decided to take it in the “we kick ass BECAUSE we are ladies, take that!” and it just feels really dumb. Even the already mentioned Charlie’s Angels from 2000, wasn’t a masterpiece by any means. But it was really enjoyable, re-watchable movie and what made it enjoyable, was the fact all three main actresses kicked ass and they never focused on this “we kick ass despite and/or because we are women”. They just did, didn’t ask question, weren’t there to explain themselves, because they what they did.

Anyway, sorry for this rant. But it ties in with my overall enjoyment of this. The main trio I thought worked really well. The more I watch Kristen Stewart, the more I admire her for being so versatile. I thought she killed it in this role, as she was the perfect blend of crazy and sensible. It would have been so easy to make her character “dumb, with good intentions”, but luckily, the movie never went overboard with that. I have only seen Naomi Scott in Aladdin (2019, my review here) and Power Rangers (2017) which I have to admit, I didn’t really remember she was in, as that movie just went through my head, that’s how forgettable that was. In here, I thought she did a great job being the “fish out of water” character, where she avoided going into the annoying territory of being too all over the place, and she could handle herself in a fight too, so props to her. As most, I’ve been introduced to Ella Balinska and… damn. She can do it all, she can be funny, tough, emotional, kick ass, she is the complete package. But here’s the thing – I think they complement each other really well, I can’t even say one was my favourite over another, as they all had their roles to play and they played them well, but most importantly, the complimented each other maybe even better than the 2000 movie.

When comes to Elizabeth Banks, I honestly believe she’s much better actress, than director. Especially action in this film was… hard to follow. I am not going to hold it specifically against her, as it wasn’t any worse than your average Hollywood action movie these days, but that’s not really a compliment either. I do think if they really wanted to have a woman director, why not try to get this into capable hands of somebody, who had proven themselves in the past, like Kathryn Bigelow or Patty Jenkins. Especially Kathryn, I would love to see her spin on Charlie’s Angels, especially with this cast, I would actually pay money to see that on the big screen.

As mentioned prior, I do think the biggest problem of this movie is the script. The “message” aside, it’s as basic as it gets, we have this miraculous gadget, that can help people beyond anything ever invented, or can kill everyone, so of course, rich people want to take advantage of it, we need to stop them, Bob’s your uncle. Honestly, even the fake twist halfway through the movie, where the film is desperately trying to convince you that this *something* happening, you know, it’s not happening. Also, thinking back, there was no memorable scene from this movie. Even as unbelievable as it was, the Charlie’s Angels from 2000’s had the big heist from the white safe, where you could see their minds, their craft, their attention to details, it sticks with you, even though you question how possible or not would it be, to pull something like this off. But this movie doesn’t have anything like that. It does have some decent enough set pieces, but I think I won’t remember either one in months’ time, whereas I still remember that white safe heist, and it’s been a lot of years, since I’ve seen that version.

Overall, Charlie’s Angels is a film, that could have been really fun. Instead, it decided to go with this weird “empowerment” route, that’s not really about empowerment at all. And when it failed (and boy, did it fail hard, remember the rule of thumb, where movie has to earn roughly 2.5x its budget, before it becomes profitable) the movie’s director tried to blame everyone, but herself. You might think I am happy this film failed, but actually I am not. Why? Simple – I want movies to succeed. I love movies, so wishing for them to fail, that just doesn’t make sense to me. Plus, I genuinely enjoyed the main trio, so I would want them to have another chance to make a great action movie. But whoever would take on directing this, they need to make a decision – are they making a cheesy, light-hearted action movie? Or will it be more R-rated, “hard ass” action film, with some laughs, but more drama about feminism? Because this movie tried to do kind of both and the result is… let’s just say, not that great. If you were to take this film apart, all the elements are great, but the overall result is far from enjoyable. Which is irritating, as again, the main trio worked really, really well together. It’d be shame not give them one more chance, with better script and a capable director, who knows thing or two about action.

Rating: 2.5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Angel Has Fallen (2019) Review – Decent Action, Poor Story

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What started as a really great, one-off action movie (Olympus Has Fallen, 2013) has somehow evolved (does a movie evolve, if neither sequels are as good as the original? Discuss.) into a trilogy, that get’s progressively more boring with each new instalment. Angel Has Fallen is a mere shadow of what 6 years ago was really enjoyable, kick-ass movie with some surprisingly great action sequences (I still remember, how effective was the scene, where they get into the White House, capturing the president). From this movie, I think the last action sequence on the halfway was… alright…? But everything around it was just so… predictable and boring, you really hope nothing will “fall” anymore, so Gerard Butler doesn’t have to suit up for a fourth instalment, where he would have to fight… maybe aliens, or COVID-19, (or get this, aliens infected WITH COVID-19! Let’s make it a super-mega-ultra threat!) as I am sure by now, he killed pretty much everybody else, who ever threatened the government of USA.

This movie could have easily been named “Everything is So Painfully Obvious: The Movie” as you can predict without a single moment of hesitation where everything (story, characters) is going. You can tell who’s the bad guy literally within a few seconds of their screen time, you can tell what happens next before it happens with Gerard’s character… and for the most time, the action is your stereotypical “it’s alright” type, where it’s not horrible, but there is nothing, that would stand out. Again, maybe the very last set piece, but even that it isn’t something, that would have justified not trying to come up with anything original story-wise. Every turn this movie makes, you have seen done better, some place else. And I understand, that expecting some level of originality from a third instalment of something, that I still don’t understand how it became a trilogy in the first place, it’s as silly as listening to a flat-earther explaining why Earth is flat, but still, you’d expect that the film would at least throw you a bone…?

But not this one. So it hits every single beat – the main hero hides a sickness from everyone (family, friends, president of the United States, you know, the usual) that will limit him in some minor scenes, but you can bet most of your crypto, that once he’s needed, he will fight like a 20 year old, who drank 10 Red Bulls at once. And that part of the story, when everybody thinks he’s betrayed everyone? He will prove, he didn’t do it and all those crimes he’s committed, while trying to prove his innocence? Totally forgotten, don’t you worry about that. We know, you had to do them, in order to clear your name.

Angel Has Fallen has only thing going for it and that’s the fact it’s not overly long and even though nothing stands out, nothing really drags on. The movie itself actually flows pretty well, so even though you are kind of annoyed, at how predictable everything is, you are not bored and the movie has the decency to have good enough cast to get you through it too. I am not quite sure, whether Piper Perabo replacing Radha Mitchell (who played Gerard’s girlfriend/wife in the first two movies) is good or bad, but to be honest, these movies don’t really give that character anything to do anyway, so I am guessing it doesn’t really matter who plays it? My guess would be most people didn’t even realise that’s not the same actress (which again, falls on this franchise, as they never have given her any agency besides being Gerard’s girlfriend, who becomes his wife) but she’s fine in this film. The same goes for Lance Reddick or Danny Huston, bot decent enough actors, who have little to do here, as it’s all about Gerard’s character kicking all kind of ass. Which is not a bad idea in theory, but in practice, when this is his (counts furiously) 76th movie with him pretty much playing the same character, it starts to get a bit monotone.

The only reason my rating is still fairly high (for what is arguably just an average action movie) is the fact that I was never bored while watching. Sure, was I surprised by anything? No. But was the movie sluggish, where I’d felt the movie’s length? Also no. That surprised me, to be perfectly honest, that even though you’d need a microscope to find a speck of original idea in this film, I was never bored. Yeah, don’t how that works either.

Overall, Angel Has Fallen is as average of a movie as it gets. What puts it slightly above the mediocrity is the casting of enough decent people and the fact you are not counting down seconds for the movie to be over. I mean, you might, but I definitely wasn’t. That being said, will I be in any kind of rush to re-watch it? Absolutely not.

Rating: 3 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Love, Death & Robots Review (Season 1) – Black Mirror, Animated

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This show has been on my watchlist for a while now, as I’ve heard really good things about it, but never found the time to sit down and watch it. Until a few days ago, not knowing the season 2 of this show was about to come out (believe it or not, it was a lucky coincidence, that I started to watch it and when I finished it, I’ve learned I don’t need to wait for season 2 that long) I finally found the time, before starting something “longer”, I thought let’s just get this “out of the way”, as I knew the basic concept of this show – anthology (every episode is different, not related to each other) short films, mostly animated and each one has different team behind it. What I did not know (or expect) how much will I love it.

Love, Death & Robots is such a unique show, you can’t help but fall in love with it. Everything here is done with such a precision, such a creativity and most importantly, you get to see so many different animation styles! My only “complain” about mainstream animated movies would be, that they can look really similar. You almost forget that since the medium is animation, your only “real” limitation is how creative you are. This show showcases different styles of animation from almost real-life looking ones (in a few years, we will be there, where we won’t be able to tell the difference between what’s real and what’s animated) to “anime” inspired, to really “wacky” colourful ones. And each style has its feel, things I loved about it. Same with the stories presented.

That is something else I also admired about this show, the scope of those stories and how different they were. From “silly” ideas like a yoghurt taking over, or having a civilization in your freezer, to more serious stuff, where you get some sci-fi space stories, some horror-themed stories, some future-themed stories… Love, Death & Robots feels like a hand crafted candy shop, where you’d go and see chocolate with different ingredients, you’d never think of, you’d see ice cream flavours, you’d think there is no way this would work with even crazier toppings on top of those, but guess what…? It works.

I genuinely believe the reason this show works so well is the format, both this show being on Netflix and also it being short films. As Netflix is famous for giving the creators basically the ultimate control over their creation, so the teams behind different ideas didn’t have to adjust their animation style or their story to fit any preconceived formula and also the fact those are short movies – where mainly the silly ideas work better, because they are short. Plenty of times, silly ideas are great, but can wear their welcome quite quickly, if you are watching them for longer time, but in here, even the story about yoghurt, who ends up taking over the world, makes sense, entertains you and most importantly, it knows when to finish. There is no chance of you getting bored, even if some of these stories won’t click with you, as they are done before you know it. And on the other hands, the ones you will love, you’d wish there was more.

It’s easy to see or to make the comparison, that it’s just animated Black Mirror (2011 -), as I have done myself, but it’s also underselling it. As Love, Death & Robots is its own thing. It might have been inspired to a certain degree by Black Mirror, but that is another thing this show did well – it stole the best parts of Black Mirror and made it into its own thing. I know what you are thinking – what do you mean stole? How dare you? Rest assured, that’s meant as a compliment, as in Hollywood, there is a saying that goes something like this “It’s OK to steal, as long as you steal from the best.” Because, here’s the thing – think of your favourite movie, TV show, book, song – no matter what it is you are thinking of, the chances are the artist(s) behind it got inspired by existing art, or it’s a remake of a movie from different era or country and you never knew that. And that’s ok. The creators behind this definitely realised, how great Black Mirror is, but also how limiting real life can be, whereas in animations, there are no limits. If you can think of it, you can draw it. If you can draw it, you can animate it. It’s much easier to animate space, then do space-like CGI, as that cost (more) money. The more I think about this show, the more impressed I am.

Overall, I can’t recommend Love, Death & Robots enough. It is unique, great, short, clever… This show achieved something, I haven’t experienced in a while. In this world, where we binge stuff, to get something watched as soon as possible, I have taken pauses in between episodes, because I did not want to be finished with this show just yet. Realistically, I think you could watch the first season in around 3 hours I believe, but I got it done over 2 days, as I was truly enjoying myself too much, I just wasn’t ready to be done with it. Even though every story was different and there is no one overall narrative, I didn’t want to leave this creative world, full of wonders. I didn’t want to leave this hand crafted candy shop, where I’ve experienced so many new and fresh combinations, flavours, colours. I can’t wait for the second season.

Rating: 5 out of 5.

That’s all for this one! Did you see it? What did you think about it? Let me know!

Until next time,

Luke

Souvenir (2019) Review – A Pleasant Surprise

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I really like movies like Souvenir, where you have never heard of the movie, you don’t know any of the actors in it, you just stumble upon it and the description looks intriguing enough that you watch it. And to yours (well, mine) surprise, it’s a pretty decent film!

The first things first – the movie is one woman show of Paulina Gaitan. Not only she’s incredibly attractive woman, but she’s a great actress and undoubtedly the main reason to watch this film. Isabel is one of those characters, that I am grateful we still get to see in films – somebody, who feels real. By that I mean, even though she’s the main protagonist and I think portrayed as overall good person in the movie, the character has flaws, makes self-sabotaging/self-destructive choices throughout, that make her feel real. There is nothing worse than having “black or white” characters in your stories, where they are either all good, or all bad. That is why I love these tinier, indie movies, as they often deal with more real-life stories portrayed in a real-life way, as we all have our good and bad sides. Paulina Gaitan really nailed it here, she’s portrayed her character in really convincing way, where you are routing for her, even though there are times she’s making it more difficult to do so.

The movie deals with couple of topics, but there is one that underlines and connects them all – family and everything around it. From the surrogate pregnancy, to what would you sacrifice to see your child again, or on the opposite side of that spectrum, what happens if you decide not to have any children? How does that choice impact your relationship(s)? The movie is definitely more about exploring different sides of having or not having a family, then “just” the surrogate mother angle of this story.

Souvenir also makes some bold choices and it caught me off guard once or twice, where I was surprised the story went that way. I really want to avoid spoilers, so let me just say that I am not talking about the ending per say, as that didn’t surprise me that much, but what happens prior to the ending. Not every movie would have done it and I applaud it.

Unfortunately, the movie sometimes feels uneven in its pacing and one thing that did bother me was the whole Isabel’s relationship with her teacher Bruno. And not because it would be inappropriate, as she’s been out of school for a good while and she’s pursuing him, so we avoid that “teacher falls for his former student” cliché, but we never get WHY Isabel, this stunning young woman, is so desperately after him, ageing man, who doesn’t want family. Yeah, I know there is the line about “I was always one of your biggest fans.” when they bump into each other at the beginning, but that’s as much as we get. I know this might seem strange, but for some reason I’ve never understood why she was so obsessed with him in the first place and in the movie, that managed to portray her in such a realistic way, that was the one question I wished they’d answer about her character.

The ending, that I guess was supposed to be a surprise, wasn’t really surprise to me, as it felt a bit more telegraphed than it needed to be…? Maybe it was just me (and this will be a struggle to describe without going into spoilers, so bear with me) but I knew once you have your character with two quite unique traits, there is no way that’s not blowing up in their face and making them re-consider everything. Come to think of it, it’d be interesting to see how that character’s world get shaken up a bit…? I know, I am being vague and for anyone, who hasn’t seen this film, this is not helpful at all, but once/if you see the movie, I think you will get what I mean.

Overall, Souvenir surprised me with how good it was. It has a pretty intriguing story, great main actress (I really need to check out Narcos (2015 – 2016) where most people know Paulina Gaitan from) and depending on how many movies like this you have seen, it might surprise you once or twice. There are couple of stretches, where the movie doesn’t “flow” as well, but I would say if you have a chance, give it a shot, as it’s really decent drama.

Rating: 3.5 out of 5.

That’s it for today! Did you see it? What did you think about it? Let me know!

Until next time,

Luke